Doing Things Wrong

Projects

I'd like to thank everyone who donated for the maintenance of the site. If you'd still like to contribute, the link remains in the sidebar.

Audiovox Gibson-style Bass
Audiovox 736 Replica Bass
Audiovox Gibson-style Guitar
Audiovox Danelectro-style Bass
Audiovox Fretless Bass
Audiovox Electric Upright Bass
Audiovox Strat-style Guitar
Audiovox 12-string Guitar
Audiovox Ukulele Bass
Audiovox Mandolin
BC Rich "Osprey" Bass
Brownsville Violin Bass
Cowbell Bass
Danelectro Pro-1 Bass
Danelectro "Super-63" Guitar
Danelectro Silvertone 1457 Rescue Guitar
Danelectro Longhorn Guitar
Danelectro Silvertone U-1 Guitar
Danelectro Companion Guitar
Danelectro Silvertone 1443 Bass
Danelectro '67 Hornet Guitar
Fender Jazzmaster Bass 1
Fender Jazzmaster Bass 2
Fender Jazzmaster Bass 3
Fender Stratocaster Bass 1
Fender Stratocaster Bass 2
Fender Stratocaster Micro Bass 1
Fender Stratocaster Micro Bass 2
Fender Stratocaster Fretless Bass
Fender Stratocaster Bass VI
Fender Stratocaster Bass IV
Fender Stratocaster 12-string Guitar
Fender Stratocaster Uke Bass
Fender Squier Stratocaster Guitar
Fender Telecaster Bass
SX Precision Bass
Gibson Fenderbird Bass 1
Gibson Fenderbird Bass 2
Gibson Reverse Fenderbird Bass
Kubicki Bass
Schwinn Stingray Bass
Mosrite Bass
Rickenbacker 325 Guitar
Rickenbacker 325 Bass 1
Rickenbacker 325 Bass 2
Rickenbacker 325 Bass 3
Rickenbacker 4001 Bass 1
Samick SG450 Guitar
Danelectro Pro-1 Guitar
Danelectro Silvertone 1448 Guitar
Danelectro '63 Guitar
Danelectro Silvertone 1457 Guitar
Harmony H617 Bobkat
Danelectro Silvertone 1450 Guitar
Harmony Silvertone 1478
Danelectro Silvertone 1472 Amplifier
Danelectro Longhorn Bass

My projects are generally inspired by classic designs, but with a twist. I like to build things like basses on guitar bodies, non-standard scale lengths, and occasionally originals, and experiment with materials, finishes, and electronics. One of my great interests is driving the cost out of luthiery by sourcing parts and materials from the hardware store. I prefer to build more guitars than simply more-expensive guitars.

However, if you look at the projects listed here, you'll find that I am building real instruments, not junk or jokes ( although some of them are kind of humorous. )

The projects are classified according to what inspired them.

All Projects | All Basses | All Guitars

Under Construction

Projects Sampler


The Fender Bass VI was a bass for guitarists. It was basically a Jazzmaster body with a 30" short-scale bass neck and six mid-weight strings tuned EADGBE one octave below a guitar, or the same as a bass. The string spacing is such that it can only be played with a pick. You can look up the rest of the details. Danelectro actually invented the Bass VI, they were always willing to try new things while Fender and Gibson were just determined to deepen the rut they were in. Rickenbacker's rut is so deep they can't even see out of it.


This is probably the cheapest violin bass on earth, and I got a discount on top of that because it had a persistent buzz that turned out to be a bad string. "Brownsville" is a house brand for Sam Ash, where I bought it on a whim. The scale is about 30.5". It's a beauty, isn't it?


After successful and interesting experiments rebuilding 1448 and 1457 "Amp-in-Case" amplifiers, I thought I'd try something bigger. So I kept an eye on the eBays, and eventually came up with this - an early production Silvertone 1472, made by Danelectro and sold through the Sears catalog. It was fairly cheap because it wasn't working. However, the cabinet is solid, the aluminum faceplate and labeling are in good shape, all the knobs are there, and everything else can be replaced or rebuilt. The Tolex is in very good shape, and the corners of the cabinet are all pretty much intact. Much like buying an old car - a blown engine is easier to fix than a rusted-out body.


image

A subject so simple you hardly even consider it, yet really very mysterious. Just what is the roughness of sandpaper, and the relation to the number on the package?

Here's a plot of some numbers I found online: sandpaper "grit" versus actual micron size. Interesting to see what size scratches you are taking out ( or putting in. ) The curve starts at 320, which is the coarsest grit that might be considered part of the finishing process. For final finishing like orange-peel removal, I start with 1500 and work up from there, I find that even 1000 leaves scratches that are difficult to remove.

Printed from luthierylabs.com