Doing Things Wrong

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Audiovox Gibson-style Bass
Audiovox 736 Replica Bass
Audiovox Gibson-style Guitar
Audiovox Danelectro-style Bass
Audiovox Fretless Bass
Audiovox Electric Upright Bass
Audiovox Strat-style Guitar
Audiovox 12-string Guitar
Audiovox Ukulele Bass
Audiovox Mandolin
BC Rich "Osprey" Bass
Brownsville Violin Bass
Cowbell Bass
Danelectro Pro-1 Bass
Danelectro "Super-63" Guitar
Danelectro Silvertone 1457 Rescue Guitar
Danelectro Longhorn Guitar
Danelectro Silvertone U-1 Guitar
Danelectro Companion Guitar
Danelectro Silvertone 1443 Bass
Danelectro '67 Hornet Guitar
Fender Jazzmaster Bass 1
Fender Jazzmaster Bass 2
Fender Jazzmaster Bass 3
Fender Stratocaster Bass 1
Fender Stratocaster Bass 2
Fender Stratocaster Micro Bass 1
Fender Stratocaster Micro Bass 2
Fender Stratocaster Fretless Bass
Fender Stratocaster Bass VI
Fender Stratocaster Bass IV
Fender Stratocaster 12-string Guitar
Fender Stratocaster Uke Bass
Fender Squier Stratocaster Guitar
Fender Telecaster Bass
SX Precision Bass
Gibson Fenderbird Bass 1
Gibson Fenderbird Bass 2
Gibson Reverse Fenderbird Bass
Kubicki Bass
Schwinn Stingray Bass
Mosrite Bass
Rickenbacker 325 Guitar
Rickenbacker 325 Bass 1
Rickenbacker 325 Bass 2
Rickenbacker 325 Bass 3
Rickenbacker 4001 Bass 1
Samick SG450 Guitar
Danelectro Pro-1 Guitar
Danelectro Silvertone 1448 Guitar
Danelectro '63 Guitar
Danelectro Silvertone 1457 Guitar
Harmony H617 Bobkat
Danelectro Silvertone 1450 Guitar
Harmony Silvertone 1478
Danelectro Silvertone 1472 Amplifier
Danelectro Longhorn Bass

I like to experiment with materials, designs, and techniques outside of conventional luthiery to build low-cost, high-quality, fully-functional, and attractive electric guitars and basses. What I am not interested in is doing the same old thing the same old way it has been done for decades.

This site is arranged in four main sections:

  • Home is where you are at now.
  • Projects contains details on all the instruments I have built, and some other related subjects.
  • Laboratory contains tools, techniques, and designs used in my projects.
  • Blog - anything else I feel like writing about: carpentry, programming, music, etc

This site is aimed at the home hobbyist, and particularly the first-time builder. So welcome to the lab. See what's on the slab. I hope you find this site interesting and informative.

Navigating This Site

Main navigation is at the right left around here somewhere. First there is a "breadcrumb trail" showing where you are, with "up-links". This is followed by a list of child pages, or "down-links". Around that is a list of sibling pages, or "side-links". There is also an overall Site Map , as well as indexes for each major section. Finally, the search box works surprisingly well, or just hit the Random link.

If you are on a small 'mobile' device like a phone or tablet, the main navigation collapses to a button at the upper-right, with the rest at the bottom. The button opens a condensed popup menu. The mysterious unlabeled checkbox in the menu is a 'pin' that holds it open as you navigate between pages. You can force 'mobile' mode on a larger device by making the browser window narrow. In any case, the layout is optimized to make the best use of the available screen space.

History

This site was assembled from a mass of material I had previously posted on Talk_ass. This is seven years of material - over 200 pages and a gigabyte of images, and ongoing. Just getting it all back up was a huge task.

The luthier's anthem

OpenAI Says:

Here's what luthierylabs.com appears to be based on what we can find online:

What the site is

Luthiery Laboratories (luthierylabs.com) is a personal/hobbyist website focused on guitar and bass building projects, materials, techniques, and related content for people interested in luthiery (the craft of making stringed instruments). It isn’t a standard online store - it’s more like a builder’s personal lab/blog/archive of projects.

Here’s what the site includes:

Instrument builds and project pages - detailed descriptions of guitar and bass builds (e.g., Audiovox replicas, Strat-style guitars, custom basses).

Laboratory section - write-ups on tools, materials (like tonewoods and hardware), and techniques used in building instruments.

Blog and reviews - the author’s posts about woodworking tools and gear reviews.

Navigation and site structure geared toward hobbyists and first-time builders.

Who it's for

The site is aimed at home hobbyists and aspiring instrument builders, not a typical commercial music instrument retailer or manufacturer. The content emphasizes experimentation, learning, and non-traditional materials/techniques over commercial production.

Notes

It’s not clearly associated with a commercial brand selling instruments (despite some review site entries suggesting “Luthier Labs” sells instruments - those appear to refer to a different entity and aren’t clearly verified).

The site itself is more like a project archive/blog rather than a store or formal company site.


When two pickups are wired in series, the output of one is connected to the ground of the other. The outputs are directly additive, there is no loading effect as with parallel wiring. You get noticeably more output, and usually a much fuller sound. Two pickups may be wired in series with a standard [ON-OFF-ON] switch, available at any hardware store.


my cheap little drill press that does 90% of my drilling

For drilling precisely spaced holes, like guitar tuners, make ( or buy ) a template. I make mine out of scrap maple. If you mess it up, throw it away, NBD. Eventually, you'll get it right, and then forevermore.


This is one of the funniest things on the whole internets. Mark Twain, a mad scientist, and it ends with a great Steely Dan tune. What else could you want? How about the rest of that song:



#1. Single-tier guitar rack

The smaller single-tier guitar racks (above) were a modification of a standard sort of stackable little bookshelf that I have built quite a few of. The larger two-tier racks (below) were based on a similar sort of construction. Unfortunately, I never saved any plans for these things, in fact I never had more than rough sketches to start with, and improvised the rest. Once I worked-out all the dimensions and details for the first one, I just copied it. These racks are now a decade old, and have stood up to humid summers and dry winters perfectly. Nothing has pulled-apart or cracked.


image

The new A500 pots came today USPS a day early - so never say bad things about them. I pulled up the diagram above, heated up the soldering iron, and Presto-Change-o !!! Then I tried to put the pickguard back, and it didn't fit, because, of course. The old mini pots barely cleared the body wall, and the new full-sized ones didn't. So I had to delve back into woodwork and make clearance for them. I had to razor and dremel away about a quarter of an inch, without messing up the 'finish'.