Doing Things Wrong

Epiphone Fenderbird

This started out as a broken Epiphone, one of the very nice Pro models. Turns out the Epi copy was a bit too authentic - it even reproduced the standard Gibson pop-off headstock. I removed the neck, re-finished the stump, routed out a neck pocket, and installed a Fender Mexico Precision neck. The pickups are stock, the active electronics are a replacement as the originals blew up. I also made the pickguard. The high frets are basically inaccessible, but the trade-off is much better balance.

image
Originally
Before neck amputation

The body wings are mahogany-ish, while the core and original through-neck are maple/walnut.

Super-tight control cavity, packed

Epi Pro body & pups, fully active electronics, Mark Hoppus P-neck & tuners. I hacked off the broken T-bird neck and routed a pocket for the Fender. Since the body is oiled wood, the scar was easy to make disappear. For neck mounting, I used ferrules rather than a rectangular plate. The result looks factory. Look at the gorgeous wood grain on this body.

I drilled an extra hole for the classic 3-in-a-row Gibson control layout, with the correct silvertop knobs. It's the little details that really set off a project like this. I filled the extra control holes with output jack & pickup switch. It was a real trick folding all the extra electronics into the tiny shallow Gibson control cavity. The original side jack is now passive output, for a dead battery.

The pickups are EMGs. EMG's designs do not impress me, and I don't care for humbuckers in a bass either, but the factory pickups fill the factory holes perfectly, and they sound good enough. These pickups have a third lead that is coil tap. I left it disconnected. I had the original Epi electronics as well, and they were ok, but I accidentally blew them up, and the replacement is much better anyway.

A Gotoh Fender-style bridge replaces Gibson's atrocious bass bridge. You might also notice the svelt Fender-influenced PG, rather than the ungainly thumb-shaped Gibson.

Sounds great, plays great, as long as you don't want to get at the high frets. Rotosound 66's for 60's vibe. RIP John Entwistle.


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The subject of capacitors in guitars is rife with fraud and nonsense. The fact is, the capacitor is not IN the signal path, it is very much OUT of it, and only has any effect when you select it, which is probably pretty seldom. The capacitor is part of a low-pass ( or rarely high-pass ) filter, basically a frequency-dependent leak to ground. It is not making 'tone', it is taking it away. The type of capacitor that you use for this really doesn't matter at all, as long as you don't use a polarized one the wrong way. Orange Drop, oil-in-paper, film, ceramic -- makes no difference. Anyone who claims it does either has a very vivid imagination or is trying to sell you something.

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