I like to experiment with materials, designs, and techniques outside of conventional luthiery to build low-cost, high-quality, fully-functional, and attractive electric guitars and basses. What I am not interested in is doing the same old thing the same old way it has been done for decades.
Projects contains details on all the instruments I have built, and some other related subjects.
Laboratory contains tools, techniques, and designs used in my projects.
Blog - anything else I feel like writing about: carpentry, programming, music, etc
This site is aimed at the home hobbyist, and particularly the first-time builder. So welcome to the lab. See what's on the slab. I hope you find this site interesting and informative.
Navigating This Site
Main navigation is at the rightleft around here somewhere. First there is a "breadcrumb trail" showing where you are, with "up-links". This is followed by a list of child pages, or "down-links". Around that is a list of sibling pages, or "side-links". There is also an overall Site Map, as well as indexes for each major section. Finally, the search box works surprisingly well, or just hit the Random link.
If you are on a small 'mobile' device like a phone or tablet, the main navigation collapses to a button at the upper-right, with the rest at the bottom. The button opens a condensed popup menu. The mysterious unlabeled checkbox in the menu is a 'pin' that holds it open as you navigate between pages. You can force 'mobile' mode on a larger device by making the browser window narrow. In any case, the layout is optimized to make the best use of the available screen space.
This site was assembled from a mass of material I had previously posted on Talk_ass. This is seven years of material - over 200 pages and a gigabyte of images, and ongoing. Just getting it all back up was a huge task.
I added some notes on this subject, see page linked below. I keep seeing truly horrific advice being dispensed online by luthiées, when the correct solution is easy and free.
An electric guitar body serves several purposes. It provides a place to attach (and hide) hardware and electronics, and provides a counterweight for the neck, specifically the tuners out there at the end. It also provides enough weight and bulk to stabilize the instrument while it is played, either sitting or standing, while at the same time being not too heavy or interfering with natural playing motions and access to the strings. And needless to say, it must be strong enough to resist the effects of string tension, which can be 100-200 pounds or more.
This is the big brother to the Silvertone 1448, vintage 1964-67. Construction is basically the same, but with a full-scale neck, two pickups, and a much better amp. For a lot of details, see the 1448 page. This guitar is in excellent condition for being almost sixty years old, and apart from cleaning and re-stringing, it needed nothing.
This wound up on the back burner for a while, but I finally got back around to it. The black stripe is 1/16" tape from the roll there, applied to the shiny under-layer. It wasn't that hard to apply, using the screw holes as guides. It's not awfully sticky, but should hold up well sandwiched between the clear pickguard and the body. You can get that tape at Hobby Lobby. I finished the pickup 'routs' with hand files.