Doing Things Wrong

Reverse Fenderbird (1/2)

Solid poplar body, lightly stained and finished in polyurethane. Korean Squire neck, active electronics. Is it a reverse, or a non-reverse? Since this is a reverse of the original Thunderbird body ( more-or-less ) I say it is a reverse. If this is a non-reverse, then the original would have to be the reverse. Reverse of what? Makes no sense.

image
look close
image

Well, I left the two Fenderbirds alone in the woodshop when I went on vacation, and when I got back, this is what I found. I should have known. This is what happens when you leave your guitars unsupervised.

He's a cute little guy though. Not really little at all - 10 pounds, and he's got a full 34" scale already. No finish yet, the body looks like a piece of poplar that I had from the lumber yard, and the neck says Squier Korea. His mini-humbuckers are wired to the switch and jack, but the rest of his electronics haven't dropped yet. I'm guessing they will be active bass and treble like his parents. I wonder who he will take after in the pickguard and finish.

The proud parents are understandably protective and haven't let me play with him much, but he seems like a winner already. I guess I'll just have to go get him his own stand and make the best of it. The damn Stratocasters have been breeding like crazy too.

( Looking at the picture, it appears the bridge and pickups are crooked. That is an artifact of the wide-angle camera lens. I assure you, the baby is completely healthy, and LOUD. )

 1 2  

Comments on Reverse Fenderbird

Questions or Inquiries?

Just want to say Hello? Sign the .

Submit a Comment

Your email address will not be published. Required fields are marked *


Click image to replace if unable to read.

Enter the digits from the image above, except for the last one:

This site uses Akismet to reduce spam. Learn how your comment data is processed.


The Silvertone 1450 is a relatively rare model from 1965 to 1967. It is identical to the much more common 1452 "Amp-in-Case" model, except that the 1450 has a three-ply tortoiseshell pickguard in place of 1452's white masonite, and the 1450 did not come with an amp. The three-bolt neck attachment indicates that this is a fairly early example. There should be a date stamp inside the neck pocket, but I don't want to take it apart. For a long time I thought this was a 1452, I was quite pleased to discover while writing this that it is actually the more deluxe 1450.

Printed from luthierylabs.com