Uses the bottom four strings of a Bass VI set to get a low enough total string tension for the Strat tremolo to work.
On the right is the Bass VI. Six bass strings over-stressed the Stratocaster tremolo. It barely worked, so I blocked it. On the left is the Bass IV, with the bottom four strings of the VI. The modified tremolo works perfectly. Both are custom 30" maple necks on eBay bodies.
As everyone should know, the Stratocaster guitar is actually the guitar version of the Precision Bass, which came first. The big innovation on both was the extended upper horn, a necessity on a long-necked bass for balance and to bring the low frets within reach when the instrument is hanging on a strap. Not strictly needed on a guitar, but looks great, and back in the 1950s nothing had ever been seen like it. It was an instant hit.
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A conversion neck is one that can convert an instrument from one scale length to another with no other modification. A common conversion is 34" to 32". By overhanging the 20th fret, or leaving it off, you can use the stock bridge location on the body, just adjust for intonation. Such a neck will work on any standard bass body. A conversion from 34" to 30" requires overhanging two frets, or losing one or both.
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When two pickups are wired in series, the output of one is connected to the ground of the other. The outputs are directly additive, there is no loading effect as with parallel wiring. You get noticeably more output, and usually a much fuller sound. Two pickups may be wired in series with a standard [ON-OFF-ON] switch, available at any hardware store.
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This beauty is Evets' reissue of a 1960s Danelectro Hornet. The solid-body Hornet has the same body outline as the Silvertone 1452, a sort-of cross between a 1457 and a Fender Jazzmaster. But unlike the slab-sided 1452, the body of the Hornet is a continuous curve, front and back, with a completely rounded edge. ( This is as sexy as a guitar gets, but makes it a little slippery on your knee. ) The reissue from Evets has the same contours as the original, and even the same 'lightshow' pickguard. The three-tone sunburst on this one was an exclusive to Guitar Center. I picked this one up as an 'open-box' from their subsidiary Music123 for a song, so to speak. The body was originally slathered in dullcote, which I polished off, resulting in a beautiful shine with just a bit of orange peel that I left.
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