Doing Things Wrong

Reverse Fenderbird (1/2)

Solid poplar body, lightly stained and finished in polyurethane. Korean Squire neck, active electronics. Is it a reverse, or a non-reverse? Since this is a reverse of the original Thunderbird body ( more-or-less ) I say it is a reverse. If this is a non-reverse, then the original would have to be the reverse. Reverse of what? Makes no sense.

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Well, I left the two Fenderbirds alone in the woodshop when I went on vacation, and when I got back, this is what I found. I should have known. This is what happens when you leave your guitars unsupervised.

He's a cute little guy though. Not really little at all - 10 pounds, and he's got a full 34" scale already. No finish yet, the body looks like a piece of poplar that I had from the lumber yard, and the neck says Squier Korea. His mini-humbuckers are wired to the switch and jack, but the rest of his electronics haven't dropped yet. I'm guessing they will be active bass and treble like his parents. I wonder who he will take after in the pickguard and finish.

The proud parents are understandably protective and haven't let me play with him much, but he seems like a winner already. I guess I'll just have to go get him his own stand and make the best of it. The damn Stratocasters have been breeding like crazy too.

( Looking at the picture, it appears the bridge and pickups are crooked. That is an artifact of the wide-angle camera lens. I assure you, the baby is completely healthy, and LOUD. )

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This is a selectable onboard passive distortion circuit using clipping diodes wired to ground. All solid-state 'artificial' distortion circuits, no matter how expensive, have something like this at their core. Instead of requiring power, this circuit uses the output of the pickups themselves and therefore should work better with higher output pickups. It uses a 2-pole 4-position rotary switch to select various combinations of diodes for different degrees of distortion, or none. You could also select one of the diode combinations and wire it to a push-pull switch for a single level of distortion, or even wire it to a separate 'volume' control to control the resistance to ground and therefore the amount of distortion. The diodes cost pennies. I have yet to actually try this one, but when I get back to building six-strings, I definitely want to.