Doing Things Wrong

Audiovox 12-String Guitar (1/2)


This twelver is a mashup of a number of different models. The body is Danelectro-style masonite over chambered plywood, with Tolex binding. The headstock is interleaved Rickenbacker, the bridge is more like a Gibson, while the overall style is my typical Audiovox.

The electronics are typical Danelectro, with a series/parallel internal-mode switch for the 4-wire pickups to get that sixties jangle. It works. The neck is walnut over maple, with a fixed steel truss rod. The body is oil-based polyurethane over pearl paint. The pickguard is masonite.

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This was my second 12-string; I learned from the first one to use individual tuners rather than strip tuners, which require very precise drilling.

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The subject of capacitors in guitars is rife with fraud and nonsense. The fact is, the capacitor is not IN the signal path, it is very much OUT of it, and only has any effect when you select it, which is probably pretty seldom. The capacitor is part of a low-pass ( or rarely high-pass ) filter, basically a frequency-dependent leak to ground. It is not making 'tone', it is taking it away. The type of capacitor that you use for this really doesn't matter at all, as long as you don't use a polarized one the wrong way. Orange Drop, oil-in-paper, film, ceramic -- makes no difference. Anyone who claims it does either has a very vivid imagination or is trying to sell you something.