Doing Things Wrong

Gibson Projects

Gibson Fenderbird Bass 1
Gibson Fenderbird Bass 2
Gibson Reverse Fenderbird Bass
Samick SG450 Guitar

The "Fenderbird" is a mash-up of a Gibson Thunderbird body and a Fender neck. You'd expect such a thing to be a mutt, but this mutt comes with a great pedigree - invented by no less than John Entwistle of The Who.

Of course, Fender and Gibson aren't going to collaborate on this, so if you want one, you pretty much have to build it yourself. This is a fun project that is not terribly difficult or expensive, with all the appropriate bodies and necks floating around on eBay just waiting for a Dr. Frankenstein to sew them together.

The funny thing about Firebirds & Thunderbirds is that Fender complained about the body shape on the right being too much like the Jazzmaster, which takes a lot of imagination. So Gibson flipped it over, resulting in the body shape on the left, which is a dead ringer for a Jazzmaster. At which point Fender just dropped the matter, and eventually Gibson went back to their original body.

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A flock of Fenderbirds

In the center is my "Epi-bird" with an Epiphone Pro-4 body and a Mark Hoppus Precision neck. On the right is ... I just call it Fenderbird 2. Oiled cherry wood body, MightyMite Jazz neck, and Musicman hardware? On the right is My Reverse Thunderbird.

All have active electronics with master volume, bass & treble boost/cut, and passive bypass. Epi-bird has a 3-way switch for the stock humbuckers. FB2 has a 4-way rotary switch for all the possible modes of the pickup: neck-series-parallel-bridge.

The Epi-Bird's neck is sunk pretty far into the body because the original instrument is a neck-thru design with no heel. Even using strategically placed bushings instead of a plate, the neck just couldn't be mounted any other way. On the plus side, reach and balance are much better than you'd expect.

All Gibson Projects


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Fretboard Radius Blocks

I make all my fretboards 12 inches, guitar or bass, fretted or fretless. I just like that, and also, it doesn't matter that much as long as you stay away from the extremes. 12-inches is a nice comfortable curve for chording on, and also doesn't require as much work and mess to carve as a smaller radius. I find it is a good compromise overall. I can make a 12-inch radius from flat pretty successfully with just a sanding block. StewMac's pre-radiused boards are 16-inches and are quick and easy to re-radius to 12. Although I made tooling for everything from 7 to 16, I don't use any of it. Luckily, I made extra tooling for 12 inches before I broke down the manufacturing plant.

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