Doing Things Wrong

Projects (6/7)

Audiovox Gibson-style Bass
Audiovox 736 Replica Bass
Audiovox Gibson-style Guitar
Audiovox Danelectro-style Bass
Audiovox Fretless Bass
Audiovox Electric Upright Bass
Audiovox Strat-style Guitar
Audiovox 12-string Guitar
Audiovox Ukulele Bass
Audiovox Mandolin
BC Rich "Osprey" Bass
Brownsville Violin Bass
Cowbell Bass
Danelectro Pro-1 Bass
Danelectro "Super-63" Guitar
Danelectro Silvertone 1457 Rescue Guitar
Danelectro Longhorn Guitar
Danelectro Silvertone U-1 Guitar
Danelectro Companion Guitar
Danelectro Silvertone 1443 Bass
Danelectro '67 Hornet Guitar
Fender Jazzmaster Bass 1
Fender Jazzmaster Bass 2
Fender Jazzmaster Bass 3
Fender Stratocaster Bass 1
Fender Stratocaster Bass 2
Fender Stratocaster Micro Bass 1
Fender Stratocaster Micro Bass 2
Fender Stratocaster Fretless Bass
Fender Stratocaster Bass VI
Fender Stratocaster Bass IV
Fender Stratocaster 12-string Guitar
Fender Stratocaster Uke Bass
Fender Squier Stratocaster Guitar
Fender Telecaster Bass
SX Precision Bass
Gibson Fenderbird Bass 1
Gibson Fenderbird Bass 2
Gibson Reverse Fenderbird Bass
Kubicki Bass
Schwinn Stingray Bass
Mosrite Bass
Rickenbacker 325 Guitar
Rickenbacker 325 Bass 1
Rickenbacker 325 Bass 2
Rickenbacker 325 Bass 3
Rickenbacker 4001 Bass 1
Samick SG450 Guitar
Danelectro Pro-1 Guitar
Danelectro Silvertone 1448 Guitar
Danelectro '63 Guitar
Danelectro Silvertone 1457 Guitar
Harmony H617 Bobkat
Danelectro Silvertone 1450 Guitar
Harmony Silvertone 1478
Danelectro Silvertone 1472 Amplifier
Danelectro Longhorn Bass

My projects are generally inspired by classic designs, but with a twist. I like to build things like basses on guitar bodies, non-standard scale lengths, and occasionally originals, and experiment with materials, finishes, and electronics. One of my great interests is driving the cost out of luthiery by sourcing parts and materials from the hardware store. I prefer to build more guitars than simply more-expensive guitars.

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This body was purchased on eBay from a parted-out guitar. Might have been a Squier, I don't remember. It was in pretty good shape, and I gave it a good polishing. The neck is hand-made, one of my first. The back is hand-picked Home Depot maple, the fretboard is pre-slotted rosewood from StewMac, I hadn't yet worked out how to make my own. If you cut the first two frets off a 34" fretboard, you end up with a 30" scale. That's about the limit with a pre-slotted fretboard though, as you start to run out of frets at the other end. The dots are 1/4" pearl from StewMac, expensive. The frets are probably pre-cut Fender.


This Strat bass is another of my early projects, an evolution of the first one. It uses basically the same neck, but mounted in the stock guitar neck pocket. This moves the bridge position adjacent to the old tremolo hole, but the expansive Mustang bridge plate covers it nicely. The pickguard looks stock, but is actually custom-made to cover the six stock bridge screw holes. If you can't get a Mustang bridge ( and you can't any more, ) you could extend the pickguard to cover all the guitar holes, or use a stock pickguard and just make a small bridge-sized cover. Or just leave the tremolo hole and keep your stash in it.


Uses the bottom four strings of a Bass VI set to get a low enough total string tension for the Strat tremolo to work.


The Fender Bass VI was a bass for guitarists. It was basically a Jazzmaster body with a 30" short-scale bass neck and six mid-weight strings tuned EADGBE one octave below a guitar, or the same as a bass. The string spacing is such that it can only be played with a pick. You can look up the rest of the details. Danelectro actually invented the Bass VI, they were always willing to try new things while Fender and Gibson were just determined to deepen the rut they were in. Rickenbacker's rut is so deep they can't even see out of it.


This fretless sounds really cool, and is super-easy to play, as you no longer have to stretch your hand unnaturally just to make ordinary patterns. It is set up with flats I found in the junk box. Can anyone tell me what kind of strings have blue thread leaders? The intonation fell right in, which is surprising considering the bridge was previously set up for 25.5" guitar strings. ( Actually, how important is intonation on a fretless anyway? )


Eden paddle-head guitar neck converted to bass. Strings are lower four of 5-string set, unwound to fit 25" scale.


Originally all red, refinished in black burst. Eden paddle-head guitar neck converted to bass. Strings are lower four of 5-string sets, unwound to fit 25" scale.


21" neck, adjustable bridge with piezo saddle, active electronics. EBay body. Now has metal-wound strings.


This is my attempt to recreate my very first bass, a "Montaya", as well as one of my first ventures into 'modding'. These SX's are great instruments. For 109 bucks you get an alder body with a beautiful 3-tone sunburst, a decent neck, functional bridge & tuners, and a flawless finish. What you don't get is any kind of useable pickups or strings. On this one, I installed a USA Fender pickup, my favorite d'Addario strings, and gave it a careful fret dressing and setup. I also added the tortoise pickguard, rosewood thumbrest, and ashtray for the looks only. At the time, I was going purely from memory, but I later found a picture of the original, and I got it dead right.


Solid ash body, 32" neck, active electronics ( stacked tones. )


Projects

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crowded tuners

I went into the electronics, and reversed the leads on the volume control for a nicer 'sweep'. Then I started troubleshooting a problem with the passive tone control that turned out to be an interaction with the EXP circuit. Long story short, the EXP disables any tone control that is downstream from it. I moved the tone control upstream, and now it works fine. I have a separate review for the EXP tone control, I'm not all that impressed, but I'd say try it yourself, it's not expensive or difficult to install.

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