Factory Mods
These are factory instruments that I either significantly modified, restored or refurbished.
This beauty is Evets' reissue of a 1960s Danelectro Hornet. The solid-body Hornet has the same body outline as the Silvertone 1452, a sort-of cross between a 1457 and a Fender Jazzmaster. But unlike the slab-sided 1452, the body of the Hornet is a continuous curve, front and back, with a completely rounded edge. ( This is as sexy as a guitar gets, but makes it a little slippery on your knee. ) The reissue from Evets has the same contours as the original, and even the same 'lightshow' pickguard. The three-tone sunburst on this one was an exclusive to Guitar Center. I picked this one up as an 'open-box' from their subsidiary Music123 for a song, so to speak. The body was originally slathered in dullcote, which I polished off, resulting in a beautiful shine with just a bit of orange peel that I left.
This OLP Stingray was one of the first basses I ever modded heavily. I routed a battery and a second pickup cavity, and did all sorts of experiments on it, before returning it to it's original single-pickup configuration, but with upgraded active electronics and pickup, and a nice new pearl pickguard.
More: Musicman Stingray Bass (OLP) ...
This is a real Danelectro Silvertone 1452 from the 1960s. When I got it, it was a sad box of parts. Some hillbilly had stripped it, by rubbing it on the sidewalk, I think. The fretboard had delaminated, and the old repair had simply made the problem permanent. I repaired the neck and fixed all the other issues, replaced the lipstick tubes, which had split, and clear-coated the whole thing in modern poly. I was not able to fully repair the neck, there's just not enough wood left, so I don't keep it under tension. The pickguard is stained dark for contrast. I cleaned tarnish off the old metal bits with oven cleaner, and replaced all the corroded fasteners with shiny new stainless ones.
More: Silvertone 1457 "Rescue" Guitar ...
