Classic battery-less passive electronics.
This started as a vintage neck that I got on eBay. I built a reproduction body and hunted-down old-style parts to rebuild this as authentically as possible. The finish is black nitro, which is accumulating nitro damage just from existing. Someday I should strip that garbage off and re-shoot it in polyurethane.
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This is my attempt to recreate my very first bass, a "Montaya", as well as one of my first ventures into 'modding'. These SX's are great instruments. For 109 bucks you get an alder body with a beautiful 3-tone sunburst, a decent neck, functional bridge & tuners, and a flawless finish. What you don't get is any kind of useable pickups or strings. On this one, I installed a USA Fender pickup, my favorite d'Addario strings, and gave it a careful fret dressing and setup. I also added the tortoise pickguard, rosewood thumbrest, and ashtray for the looks only. At the time, I was going purely from memory, but I later found a picture of the original, and I got it dead right.
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Around the time that Evets was putting out their first round of Danelectro reissues in the late '90s, several disaffected Gibson employees started their own company, and put out two models - 'Mona' and 'Lisa'. The Mona is a copy of the Danelectro 1457 from the 1960s. It is a mix of old and new. The body is classic masonite over a hollow core, but lacks the Tolex edge binding of the original. While it has the speckles of the original, the finish is modern polyurethane. The pickups are true lipsticks, wired in series, but the pickguard is bevel-edged plastic, and the bridge is basically a Fender. The headstock is the right shape, but bent down to lessen the awkward string angles.
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