Doing Things Wrong

Photo Studio

This is a stand you see in a lot of the photos. I cobbled it together from scrap and a dollar's-worth of self-adhesive felt. The neck support is just a padded bolt that adjusts up and down on either side. The stand fits everything from the most bloated Jazz bass body to my smallest Audiovox. It is not a secure stand by any means, just a temporary support for photography. The angle avoids most reflections.

The stand rests on a backdrop I made by tie-dying a drop cloth. At the top, I sewed a pocket for an old shower curtain rod. I never ironed out the wrinkles, I like them. This is all set up on the workbench, with the bright work light above and a couple of extra lights pointed at the ceiling to reduce shadows.

Here is the entire photo 'studio'. The workbench already has a bright overhead light. Next to the stand is a five-dollar photo light - a clamp-on with a daylight LED flood bulb. I have two - the other is illuminating the scene. With the overhead light and two strategically-placed floods, all 'daylight', I have nice even white lighting with no shadows or glare. I generally turn off the rest of the room lights, which can reflect in shiny surfaces.


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Such a simple idea, yet it makes a world of difference in finishing. StewMac - feel free to copy this design, I've copied enough of yours!​

Sanding blocks are 1/8" neoprene foam (mousepad) glued over 1x2 & 1x3 scrap pine, with 1/4" roundovers ( makes 3/8" roundover with padding. ) Use waterproof contact cement. The large block is sized for 1/4 of a standard sheet of sandpaper, and will also take half of a 1/3 sheet piece. Small block works well for details, inside horns, etc. The neoprene grips the sandpaper exceedingly well, wet or dry, and has just the right amount of 'give' for very fine sanding.