Doing Things Wrong

Photo Studio

This is a stand you see in a lot of the photos. I cobbled it together from scrap and a dollar's-worth of self-adhesive felt. The neck support is just a padded bolt that adjusts up and down on either side. The stand fits everything from the most bloated Jazz bass body to my smallest Audiovox. It is not a secure stand by any means, just a temporary support for photography. The angle avoids most reflections.

The stand rests on a backdrop I made by tie-dying a drop cloth. At the top, I sewed a pocket for an old shower curtain rod. I never ironed out the wrinkles, I like them. This is all set up on the workbench, with the bright work light above and a couple of extra lights pointed at the ceiling to reduce shadows.

Here is the entire photo 'studio'. The workbench already has a bright overhead light. Next to the stand is a five-dollar photo light - a clamp-on with a daylight LED flood bulb. I have two - the other is illuminating the scene. With the overhead light and two strategically-placed floods, all 'daylight', I have nice even white lighting with no shadows or glare. I generally turn off the rest of the room lights, which can reflect in shiny surfaces.


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I've cut out the slot for the truss rod. This is a standard 540mm truss rod for a 34" scale bass. To make it fit in a 32" neck, I need to add one more fret. So my project will have one more fret than an actual Ric, just another way it will be better than the real thing. The jig and tools and method are all described in the Laboratory. Most of the work was done in the jig, with a little free-hand nipping for the adjuster end. I haven't carved out the access for the adjuster yet.