Doing Things Wrong

Photo Studio

This is a stand you see in a lot of the photos. I cobbled it together from scrap and a dollar's-worth of self-adhesive felt. The neck support is just a padded bolt that adjusts up and down on either side. The stand fits everything from the most bloated Jazz bass body to my smallest Audiovox. It is not a secure stand by any means, just a temporary support for photography. The angle avoids most reflections.

The stand rests on a backdrop I made by tie-dying a drop cloth. At the top, I sewed a pocket for an old shower curtain rod. I never ironed out the wrinkles, I like them. This is all set up on the workbench, with the bright work light above and a couple of extra lights pointed at the ceiling to reduce shadows.

Here is the entire photo 'studio'. The workbench already has a bright overhead light. Next to the stand is a five-dollar photo light - a clamp-on with a daylight LED flood bulb. I have two - the other is illuminating the scene. With the overhead light and two strategically-placed floods, all 'daylight', I have nice even white lighting with no shadows or glare. I generally turn off the rest of the room lights, which can reflect in shiny surfaces.


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Here is my bench-top belt sander, rotated up vertical. I've never been very impressed with this thing, and it has seen very little use, especially since I got the oscillating sander. But I thought I'd get it out and see what it might be good for. You can see there is no abrasive on the sanding disk. The disk doesn't do anything the belt can't do much better. Sooner or later though, you will forget it is there spinning away, and find it with a knuckle or finger - ouch. At some point, it also tore up the power cord. I took the disk off to clean it, and I was tempted to leave it off - the spinning nub is much less dangerous. But the back of the disk is the cooling fan for the motor, so I put it back. The smooth aluminum is fairly safe.