Doing Things Wrong

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When two pickups are wired in series, the output of one is connected to the ground of the other. The outputs are directly additive, there is no loading effect as with parallel wiring. You get noticeably more output, and usually a much fuller sound. Two pickups may be wired in series with a standard [ON-OFF-ON] switch, available at any hardware store.


my cheap little drill press that does 90% of my drilling

For drilling precisely spaced holes, like guitar tuners, make ( or buy ) a template. I make mine out of scrap maple. If you mess it up, throw it away, NBD. Eventually, you'll get it right, and then forevermore.


This is one of the funniest things on the whole internets. Mark Twain, a mad scientist, and it ends with a great Steely Dan tune. What else could you want? How about the rest of that song:



#1. Single-tier guitar rack

The smaller single-tier guitar racks (above) were a modification of a standard sort of stackable little bookshelf that I have built quite a few of. The larger two-tier racks (below) were based on a similar sort of construction. Unfortunately, I never saved any plans for these things, in fact I never had more than rough sketches to start with, and improvised the rest. Once I worked-out all the dimensions and details for the first one, I just copied it. These racks are now a decade old, and have stood up to humid summers and dry winters perfectly. Nothing has pulled-apart or cracked.



image
Original design

Build enough guitars, and eventually, you run out of places to keep them. So I took a different direction and built some racks.


This one is almost identical in construction to the Danelectro-style - masonite over chambered plywood body, masonite pickguard. The neck is purpleheart over maple, with plastic fret lines. The soundhole merely serves as a pickup mount, and the pickup was just insurance against never getting the intended piezo system to work. Eventually, I did get it to work, the piezo is incorporated in a modified bridge, and sounds great. 30" scale.


This started as a Squier Jaguar body with a Mighty Mite neck. Stock pickups ( which are pretty decent ) with cream-colored covers and upgraded electronics. I used a MusicMan bridge to evoke the round Jazzmaster tailpiece, and likewise cream Strat knobs. I think it is a vast improvement over the Jaguar it started out as. The Cowbell inherited some of the Jaguar electronics.


This one is kind of a joke and an experiment in just how cheap you can build a guitar. The body is dry-erase board over plywood - no finish - with Tolex side binding. Dry-erase board is Masonite covered with Melamine. The neck is 100% Radiata pine, even the fretboard. The "inlays" are glitter and CA glue. The pickguard is the other side of the dry-erase board - 'chalkboard'. The pickup mount is a 57 cent switch plate.


These are the two main templates I used to build all the Audiovoxen. The image is straight from the camera, simply save it and print it out at the proper scale. The dimensions of the body template are 17" long and 11-1/2" wide. The overall length of the headstock template is 10-7/8". The neck pocket is Fender-standard.

This is my own original design, it is inspired by the old Audiovox, but not copied from it. My original design was an accurate copy, and it didn't work very well. Therefore, nothing needs to be exact if you want to build one of these, there are no official factory specifications.



WordPress suffers from misguided ideology, bad programming, and arrogance, usually all at the same time. Case in point: image handling.

Image handling in WordPress is pure insanity. Left to its own devices, WordPress will create multiple copies of every image at many sizes. This creates a pile of garbage on the server, roughly doubling the disk space used, sometimes worse. And they are so sure they are right about this that there is no way to turn it off - not by settings, not by filters or hooks - no way.


Can someone please explain this to me?
It's like a travel ad gone terribly wrong

These were my first two tries at a 325 bass. Both are plywood over pine hollow-bodies. The one on the left - #1 - used an experimental neck mounting that I didn't like. The one on the right - #2 - suffered a router mishap. I took all the good parts and built the solid-body, and both of these bodies spent years on the scrap heap.


Built as a testbed for a number of ideas:



First, I am bound to state that I received this product at no cost for review. Having gotten that out of the way ...

This is a 2-amp negative-tip 9-volt power supply for guitar effects pedals. This supply has more than enough power to drive multiple effects pedals, and the 8-way split "Daisy Chain" cable lets you do just that. You can neatly power up your entire pedal board with a single connection.


This was my first Audiovox project. Below is the original walnut body, fairly true to the original. My goal was to build the closest possible reproduction of the original Tutmarc Audiovox with modern parts. The ergonomics were very bad, much like a Steinberger. The headstock geometry is also not great, you can see how two of the tuners are reversed to make it work. These are expensive Gotoh tuners that are tight enough to work in reverse; I wouldn't try this with Chinese cheapies.


This is the worst interview I have ever seen. Paul Shaffer never shuts up. Poor Donald Fagen can hardly get a word in edgewise. I am surprised Fagen didn't walk out. If he gives a two-word answer, Shaffer will interrupt it. Forget about finishing a sentence, or even starting one! Shaffer continually talks over his guest, and plays over him too. When Fagen finally tells him how much fun it wasn't (19:53), Shaffer doesn't even notice, just keeps blathering on. Incredible - that's narcissism.


This is a real Danelectro Silvertone 1452 from the 1960s. When I got it, it was a sad box of parts. Some hillbilly had stripped it, by rubbing it on the sidewalk, I think. The fretboard had delaminated, and the old repair had simply made the problem permanent. I repaired the neck and fixed all the other issues, replaced the lipstick tubes, which had split, and clear-coated the whole thing in modern poly. I was not able to fully repair the neck, there's just not enough wood left, so I don't keep it under tension. The pickguard is stained dark for contrast. I cleaned tarnish off the old metal bits with oven cleaner, and replaced all the corroded fasteners with shiny new stainless ones.