Doing Things Wrong

Rickenbacker 325 Bass 2 (1/8)

These were my first two tries at a 325 bass. Both are plywood over pine hollow-bodies. The one on the left - #1 - used an experimental neck mounting that I didn't like. The one on the right - #2 - suffered a router mishap. I took all the good parts and built the solid-body, and both of these bodies spent years on the scrap heap.

image
#1 on the left, #2 on the right

One day I decided "what the heck?" and finished them. I converted the neck mount on the smaller one to a conventional bolt-on, and added a raised center section to the big one to correct some geometry problems. Then I refinished both and sanded them to a nice even satin.

The short-scale neck was originally made to fit the bigger body, but I made it fit the smaller one, and then made a new 32" neck for the bigger body from some wood that had lain around for years because I didn't like it. The new neck came out much better than I expected.

Both got cheap Chinese pickups, dry-erase pickguards, and minimal electronics. The aluminum plate on the smaller one covers the rout for the Rickenbacker bridge. The bigger one got a heavy-weight bridge and some scrap metal glued inside to correct the balance. They're both really great players, especially the bigger one.

The walnut wings on the headstocks are scrap from the original Audiovox project.

 1 2 3  8  

Comments on Rickenbacker 325 Bass 2

Questions or Inquiries?

Just want to say Hello? Sign the .

Submit a Comment

Your email address will not be published. Required fields are marked *


Click image to replace if unable to read.

Enter the digits from the image above, except for the last one:

This site uses Akismet to reduce spam. Learn how your comment data is processed.


My take on bodies

An electric guitar body serves several purposes. It provides a place to attach (and hide) hardware and electronics, and provides a counterweight for the neck, specifically the tuners out there at the end. It also provides enough weight and bulk to stabilize the instrument while it is played, either sitting or standing, while at the same time being not too heavy or interfering with natural playing motions and access to the strings. And needless to say, it must be strong enough to resist the effects of string tension, which can be 100-200 pounds or more.

Printed from luthierylabs.com