Doing Things Wrong

Audiovox Electric Upright Bass (1/9)

This is the biggest of the Audiovoxes, weighing in at a full 12 pounds, with a 36" scale. The neck is a Brazilian Cherry (Jatoba) floorboard over maple, with a straight cutout headstock. There are over 100 marker dots. The body is veneered masonite over solid plywood, with Danelectro-style Tolex binding. There are also strap buttons, this instrument can be played vertically or horizontally.

This bass has a 5-string magnetic pickup and dual bridge-mounted guitar piezos with a powered impedance buffer. The floating bridge is fully adjustable by 1/4-20 knurled wheels. The strings are Rotosound TruBass RS88, which give a good imitation of an acoustic bass.

The saddle and string nut are clear acrylic, the string anchor is a drawer pull, and the rest of the parts are from scrap, matching the neck. The veneer is bees-wing eucalyptus, stained dark and finished in UV-cure polyurethane. The long cello-style endpin retracts all the way into the neck pocket. It stands 5'7" fully extended.

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This beauty is Evets' reissue of a 1960s Danelectro Hornet. The solid-body Hornet has the same body outline as the Silvertone 1452, a sort-of cross between a 1457 and a Fender Jazzmaster. But unlike the slab-sided 1452, the body of the Hornet is a continuous curve, front and back, with a completely rounded edge. ( This is as sexy as a guitar gets, but makes it a little slippery on your knee. ) The reissue from Evets has the same contours as the original, and even the same 'lightshow' pickguard. The three-tone sunburst on this one was an exclusive to Guitar Center. I picked this one up as an 'open-box' from their subsidiary Music123 for a song, so to speak. The body was originally slathered in dullcote, which I polished off, resulting in a beautiful shine with just a bit of orange peel that I left.