Projects with fretless necks.
This is the biggest of the Audiovoxes, weighing in at a full 12 pounds, with a 36" scale. The neck is a Brazilian Cherry (Jatoba) floorboard over maple, with a straight cutout headstock. There are over 100 marker dots. The body is veneered masonite over solid plywood, with Danelectro-style Tolex binding. There are also strap buttons, this instrument can be played vertically or horizontally.
More: Audiovox Electric Upright Bass ...
This one is almost identical in construction to the Danelectro-style - masonite over chambered plywood body, masonite pickguard. The neck is purpleheart over maple, with plastic fret lines. The soundhole merely serves as a pickup mount, and the pickup was just insurance against never getting the intended piezo system to work. Eventually, I did get it to work, the piezo is incorporated in a modified bridge, and sounds great. 30" scale.
More: Audiovox Fretless Bass ...
This fretless sounds really cool, and is super-easy to play, as you no longer have to stretch your hand unnaturally just to make ordinary patterns. It is set up with flats I found in the junk box. Can anyone tell me what kind of strings have blue thread leaders? The intonation fell right in, which is surprising considering the bridge was previously set up for 25.5" guitar strings. ( Actually, how important is intonation on a fretless anyway? )
More: Stratocaster Fretless Bass ...
Not sure what possessed me at the time, but I built this with A250 tone pots and B500 volume pots, and the B pots are doing their usual on/off switch behavior - no change until almost zero, then cut off completely. After my most recent testing, I have concluded that B pots have no place in a guitar at all. I probably did this because I have just two A500 pots in the parts bin, one mini and one full sized. A few days ago I ordered a lot of them, when they come in, I will swap these out. In the meantime, the B's will do, especially at full volume, so I can check this thing out.
More: Superfreaky Brain Fart ...