Doing Things Wrong

Brownsville Violin Bass (1/2)

This is probably the cheapest violin bass on earth, and I got a discount on top of that because it had a persistent buzz that turned out to be a bad string. "Brownsville" is a house brand for Sam Ash, where I bought it on a whim. The scale is about 30.5". It's a beauty, isn't it?

This bass is made about as well as any other cheap violin bass, it is a fine instrument. It sounds good for what it is, plays well, and the finish is near-flawless thick Chinese polyester. The hollow body is 100% plywood with lots of triple binding all over. As near as I can tell, the flamed maple top is real veneer, not printed. I love cheap guitars.

My modifications are slight: I changed the VVT controls to VBT - the little knob is balance between the pickups - and replaced the boring speed knobs with what you see. I added the pickguard from scrap and changed out the other plastic bits to look more like a Hofner. Finally, I put a set of GHS flatwounds on it to give it that deep toneless thump like Sir Paul's. That really nailed it too. I do kind of regret installing the thumb rest.

I don't see how a real Hofner would play or sound ten times better. Hofners are supposed to be cheaply made - they came from post-war Germany which was still in pretty bad shape economically. Hofner stuck a bass neck on whatever kind of body he was already building and used electronics that make no sense for a bass because he took them straight off a guitar. Southpaw McCartney was attracted to it because he realized you could flip it over and it wouldn't look ridiculous, but Hofner built a lefty special for him. The rest is history.

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This is what it looked like before the mods, except for the thumbrest.
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This is a selectable onboard passive distortion circuit using clipping diodes wired to ground. All solid-state 'artificial' distortion circuits, no matter how expensive, have something like this at their core. Instead of requiring power, this circuit uses the output of the pickups themselves and therefore should work better with higher output pickups. It uses a 2-pole 4-position rotary switch to select various combinations of diodes for different degrees of distortion, or none. You could also select one of the diode combinations and wire it to a push-pull switch for a single level of distortion, or even wire it to a separate 'volume' control to control the resistance to ground and therefore the amount of distortion. The diodes cost pennies. I have yet to actually try this one, but when I get back to building six-strings, I definitely want to.

Printed from luthierylabs.com