Luthiery Laboratories

Doing Things Wrong

Silvertone 1457 Guitar & Amp (3/5)

The attenuator circuit for both the 1457 and 1472 amps

The LPad is the first stage and does most of the work, the fixed second stage can be switched in for even more quiet. The 50 watt LPad should be sufficient for at least a 20 watt amp. The capacitors suppress audible pops from the switches.

For the circuit above, the 1457 amp is nominally 5 watts at 4 ohms, while the 1472 is 10 watts at 8 ohms. The idea is to bleed off power while maintaining a constant impedance to the amp. This lets you get nice natural tube distortion without the neighbors calling the police. For these small amps, heat dissipation is not a problem.

Each circuit has two options for the fixed second stage, one for 12db and one for 20db - choose one. The values of the fixed resistors depend on the impedance of the speaker. For simplicity, just omit the second stage, it is not necessary, I was just experimenting.

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Double-Acting Truss Rod

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This is a spoke nut version, for use at the neck heel.

Here is a variation intended to adjust at the headstock rather than the heel, although it would work fine there too. I substituted a 1-1/2" 10-32 SS cap-head bolt for my usual spoke nut and threaded shaft. It is captured the same way, in a drilled-out coupling nut with a ground-down hex nut. The rod itself is 48" 3/16 rod steel, bent back on itself. Both coupling nuts are grooved on the attaching surface to hold the round rod. This greatly simplifies alignment and assembly, and the cap-head bolt eliminates one solder joint. All parts from my favorite luthiery supply shop, Home Depot.

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