Doing Things Wrong

Fretless Basses

Projects with fretless necks.

Neck - Fretless


This is the biggest of the Audiovoxes, weighing in at a full 12 pounds, with a 36" scale. The neck is a Brazilian Cherry (Jatoba) floorboard over maple, with a straight cutout headstock. There are over 100 marker dots. The body is veneered masonite over solid plywood, with Danelectro-style Tolex binding. There are also strap buttons, this instrument can be played vertically or horizontally.


This one is almost identical in construction to the Danelectro-style - masonite over chambered plywood body, masonite pickguard. The neck is purpleheart over maple, with plastic fret lines. The soundhole merely serves as a pickup mount, and the pickup was just insurance against never getting the intended piezo system to work. Eventually, I did get it to work, the piezo is incorporated in a modified bridge, and sounds great. 30" scale.


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I decided that two of my Audiovoxen should have bound necks to go with the bound bodies, because binding is really super classy. So here I'm routing the edges for that. I've taped two strips of scrap binding to the top of the fretboard to act as guides, since it is already radiused and otherwise the router would rock on the curve. The neck is stuck onto a piece of 2x4 for clearance, and the whole arrangement is inside a big box to catch most of the mess. You want to go in one long smooth run rather than nibble at it; you're not taking such a big bite that you can't do it in one pass. Those same pieces of binding are going to get glued on later. Notice that the neck still has a square back. This is actually a pretty easy job and would be even easier if it was done prior to radiusing the fretboard. Set the height of the cut to just remove all the rosewood, so the binding butts against the maple. The depth of the cut is not fussy, as there is still a lot of contouring to do.