Doing Things Wrong

Angled Headstock (3/3)

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There is another way to build an angled headstock - the wrong way, or you might say the Gibson way. That is to use a single piece of wood thick enough to carve the entire neck out of. You might think that making it all one piece would be stronger, but it is not. The scarf joint uses the wood in its strongest directions - always along the grain. The Gibson way places a critical area of the wood in shear along the grain. Ever seen them split logs in a Western movie?

Add to that a lot of other design flaws, like brittle mahogany and too great an angle, and you end up with something that is going to break. Gibson's only solution to this terrible design is to put a piece of veneer over it. Often, that is all that ends up holding it together.

So that's how to build an angled headstock, and how not to. The wrong way actually looks like more work and more expense to me.

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This beauty is Evets' reissue of a 1960s Danelectro Hornet. The solid-body Hornet has the same body outline as the Silvertone 1452, a sort-of cross between a 1457 and a Fender Jazzmaster. But unlike the slab-sided 1452, the body of the Hornet is a continuous curve, front and back, with a completely rounded edge. ( This is as sexy as a guitar gets, but makes it a little slippery on your knee. ) The reissue from Evets has the same contours as the original, and even the same 'lightshow' pickguard. The three-tone sunburst on this one was an exclusive to Guitar Center. I picked this one up as an 'open-box' from their subsidiary Music123 for a song, so to speak. The body was originally slathered in dullcote, which I polished off, resulting in a beautiful shine with just a bit of orange peel that I left.