Doing Things Wrong

Brownsville Violin Bass (1/2)

This is probably the cheapest violin bass on earth, and I got a discount on top of that because it had a persistent buzz that turned out to be a bad string. "Brownsville" is a house brand for Sam Ash, where I bought it on a whim. The scale is about 30.5". It's a beauty, isn't it?

This bass is made about as well as any other cheap violin bass, it is a fine instrument. It sounds good for what it is, plays well, and the finish is near-flawless thick Chinese polyester. The hollow body is 100% plywood with lots of triple binding all over. As near as I can tell, the flamed maple top is real veneer, not printed. I love cheap guitars.

My modifications are slight: I changed the VVT controls to VBT - the little knob is balance between the pickups - and replaced the boring speed knobs with what you see. I added the pickguard from scrap and changed out the other plastic bits to look more like a Hofner. Finally, I put a set of GHS flatwounds on it to give it that deep toneless thump like Sir Paul's. That really nailed it too. I do kind of regret installing the thumb rest.

I don't see how a real Hofner would play or sound ten times better. Hofners are supposed to be cheaply made - they came from post-war Germany which was still in pretty bad shape economically. Hofner stuck a bass neck on whatever kind of body he was already building and used electronics that make no sense for a bass because he took them straight off a guitar. Southpaw McCartney was attracted to it because he realized you could flip it over and it wouldn't look ridiculous, but Hofner built a lefty special for him. The rest is history.

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This is what it looked like before the mods, except for the thumbrest.
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Black Polyurethane body. This is during the polishing process, you can see it is not even clean. The front came out like black glass. I smoothed the orange-peel with 1500 grit wet, then 2000 and 3000. Then I switched to the random orbital with a red sponge cutting pad and Turtle Wax rubbing compound that claims to remove 1200 scratches. Shouldn't be any 1200 scratches, since I started with 1500. That came out shiny, but with swirl marks in the light. Then I switched to another red cutting pad with Meguiar's Ultimate Compound, and finally a softer yellow pad with the same Meguiar's. At that point, it was pretty much a factory finish. I didn't work as hard on the back, it is nice, but will soon enough encounter a zipper or belt buckle, so the effort would be wasted.

Printed from luthierylabs.com