6-String Guitars
Standard 6-string guitars.
This was the first of my modified Audiovox design to be completed. Solid poplar bodies, stained to look like walnut, with single bindings. Each pickguard used an entire sheet of material; only these two got the pearl treatment, the rest got much less expensive masonite pickguards.
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This one was a testbed for the Radiata glue-up body construction. I had lots of Strat hardware lying around from all the bass projects, so I decided to use some of it. As usual for my guitars, this has a fixed steel truss rod. This is the last of my Audiovoxes, and probably my favorite.
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This body style was originally reissued in a range of models - guitar, bass ( long and short scale ) and baritone. I only have the guitar. These were part of Danelectro's Chinese production, and while not bad, are not as nice as the prior or later Korean models. A second reissue in 2015 restored the gloss sparkly finish of the vintage original. None of the reissues use the original headstock shape, though.
More: Danelectro '63 (1457) Guitar ...
This was a box of junk I got on eBay, originally a vintage Convertible. I replaced the front and back with cabinet-grade birch plywood, as the original mother-of-countertop material is no longer available. I rebuilt it as something like a Companion, which is a very rare model. The neck and sides are vintage, the rest is modern.
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This beauty is Evets' reissue of a 1960s Danelectro Hornet. The solid-body Hornet has the same body outline as the Silvertone 1452, a sort-of cross between a 1457 and a Fender Jazzmaster. But unlike the slab-sided 1452, the body of the Hornet is a continuous curve, front and back, with a completely rounded edge. ( This is as sexy as a guitar gets, but makes it a little slippery on your knee. ) The reissue from Evets has the same contours as the original, and even the same 'lightshow' pickguard. The three-tone sunburst on this one was an exclusive to Guitar Center. I picked this one up as an 'open-box' from their subsidiary Music123 for a song, so to speak. The body was originally slathered in dullcote, which I polished off, resulting in a beautiful shine with just a bit of orange peel that I left.
Another early build for me - 2010, a reissue Danelectro neck on a built body. The finish is pearl automotive acrylic lacquer. The pickguard is actually clear with a piece of paper under it.
More: Danelectro Longhorn Guitar ...
This is a factory guitar, but I have modified it enough that I guess I can call it a project. This is a reissue produced by Evets around 2007. This was not a high point for Evets quality, they had shifted production from Korea to China, and it showed. The reissues from the '90s are Korean-made, and quite nice, and this guitar is not in the same class. That said, it's not terrible either, but there's quite a bit to go into. Evets eventually shifted production back to Korea, and the quality went back up.
More: Danelectro Pro-1 Guitar ...
This pretty little thing is a Harmony H617 Bobkat. The H-bodied series of guitars, originally known as the Silhouette, began in 1963 and ended in 1973. This one is from 1972 or 1973. Harmony built a number of guitars for Sears under the Silvertone name, at first as a step up from the Danelectros, and ultimately replacing them. See the Silvertone 1478.
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I was so pleased with the bass that I thought I'd try a guitar. This is a little more complicated, as there are six tuners rather than four, but it worked out well. The battery is for an Artec tone control that I wanted to try. More later ...
More: Kubicki Factor Guitar ...
I went into the electronics, and reversed the leads on the volume control for a nicer 'sweep'. Then I started troubleshooting a problem with the passive tone control that turned out to be an interaction with the EXP circuit. Long story short, the EXP disables any tone control that is downstream from it. I moved the tone control upstream, and now it works fine. I have a separate review for the EXP tone control, I'm not all that impressed, but I'd say try it yourself, it's not expensive or difficult to install.
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A faithful reproduction of John Lennon's Rickenbacker, but built as a Danelectro. Masonite over hollow plywood body. Poplar neck. Passive electronics with active distortion on the fifth knob.
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The SG, or 'Spanish Guitar', is without a doubt Gibson's best solid-body guitar design. Unlike the massive overweight Les Paul, the SG is small and light and just feels like fun in your hands. Sound-wise, the two are indistinguishable. The SG body has comfortable bevels and round-overs in place of the Les Paul's arm-gouging sharp bound edges. And the little devil horns are unmistakable.
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This is another factory guitar, vintage 1960s, made by Danelectro and sold exclusively through Sears. The 1448 was one of the cheapest electric guitars in the Sears catalog, but it came with something special - it's own amplifier built into the hardshell case. There is almost no wear on this guitar, I don't think it was played much.
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The Silvertone 1450 is a relatively rare model from 1965 to 1967. It is identical to the much more common 1452 "Amp-in-Case" model, except that the 1450 has a three-ply tortoiseshell pickguard in place of 1452's white masonite, and the 1450 did not come with an amp. The three-bolt neck attachment indicates that this is a fairly early example. There should be a date stamp inside the neck pocket, but I don't want to take it apart. For a long time I thought this was a 1452, I was quite pleased to discover while writing this that it is actually the more deluxe 1450.
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This is a real Danelectro Silvertone 1452 from the 1960s. When I got it, it was a sad box of parts. Some hillbilly had stripped it, by rubbing it on the sidewalk, I think. The fretboard had delaminated, and the old repair had simply made the problem permanent. I repaired the neck and fixed all the other issues, replaced the lipstick tubes, which had split, and clear-coated the whole thing in modern poly. I was not able to fully repair the neck, there's just not enough wood left, so I don't keep it under tension. The pickguard is stained dark for contrast. I cleaned tarnish off the old metal bits with oven cleaner, and replaced all the corroded fasteners with shiny new stainless ones.
More: Silvertone 1457 "Rescue" Guitar ...
This is the very first guitar I ever built, a hot-rodded version of the old Silvertone 1457. This guitar uses every passive wiring trick in the book. Four - count 'em - four lipstick pickups, wired in series. Six-way pickup selector, and two phase switches. The neck is from AllParts, I paid way too much for it. The finish is glittery acrylic lacquer from the auto parts store. The knobs are from Radio Shack - remember them?
More: Silvertone 1457 "Super 63" Guitar ...
This is the big brother to the Silvertone 1448, vintage 1964-67. Construction is basically the same, but with a full-scale neck, two pickups, and a much better amp. For a lot of details, see the 1448 page. This guitar is in excellent condition for being almost sixty years old, and apart from cleaning and re-stringing, it needed nothing.
More: Silvertone 1457 Guitar & Amp ...
This is a Harmony-made Sears Silvertone 1478. This body style was originally called the "Silhouette", and Harmony sold similar models under their own name. Later it became known as the "Bobkat". I can't find a serial number anywhere, and I'm not taking it apart to look for one, so I don't know the exact age of this guitar.
More: Silvertone 1478 Guitar ...
This started as a vintage neck that I got on eBay. I built a reproduction body and hunted-down old-style parts to rebuild this as authentically as possible. The finish is black nitro, which is accumulating nitro damage just from existing. Someday I should strip that garbage off and re-shoot it in polyurethane.
More: Silvertone U-1 "Dolphin" Guitar ...
This is my reference for guitar setups - a Japanese "E-series" Squier Stratocaster from the early '80s. This was an era when Fender-America was not doing their best work, while the Japanese models were superb.
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Around the time that Evets was putting out their first round of Danelectro reissues in the late '90s, several disaffected Gibson employees started their own company, and put out two models - 'Mona' and 'Lisa'. The Mona is a copy of the Danelectro 1457 from the 1960s. It is a mix of old and new. The body is classic masonite over a hollow core, but lacks the Tolex edge binding of the original. While it has the speckles of the original, the finish is modern polyurethane. The pickups are true lipsticks, wired in series, but the pickguard is bevel-edged plastic, and the bridge is basically a Fender. The headstock is the right shape, but bent down to lessen the awkward string angles.
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