Doing Things Wrong

Audiovox Solid-Body Bass (3/3)

Mar 29, 2017

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Jul 31, 2017

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I finally got another Audiovox together. This one is a twin to the guitar.

Specs:

  • mini humbuckers wired in parallel, roughly Ric positions
    Jazz bass stacked control
    Fender standard short-scale neck: maple, 30.3", Strat heel, brass nut
    solid poplar body, stained, poly finish ( pores can't breath at all )
    roundwound nickel strings, from odds & ends
  • sounds like a humbucker bass with roundwound strings

plays nice, needed very little adjusting, not even intonation

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Aug 11, 2017

I've let it settle for 10 days, so now I can start doing some fine tuning: nut, truss rod, action, fret leveling, intonation, etc. It's getting better and better. Here's a shot of the back. Can you believe that's poplar?

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As you can see, the neck is slightly offset, and access to the high frets is quite good. Also, generous round-overs and tummy cut. I actually began the design with a body tracing of a Stratocaster.

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My verdict on active tone controls for a guitar is that they are not worth it. There is already plenty of treble, and not enough bass that boosting it will make much difference. If you want to try an active control on a guitar, try an onboard distortion instead.

But the Artec EXP tone control is a funny thing. In the middle, it gives a flat clean boost. Turn it forward, and you get a high/low boost, or what amounts to a mid-scoop. Turn it back, and it gives a mid-boost. Sounds interesting, so I decided to try one.

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