Doing Things Wrong

Audiovox Solid-Body Bass (3/3)

Well, it's that time of year again, time to renew the web hosting. And for those of you that don't know, that has become a lot more expensive than it used to be. Fifty dollars a year is now several hundred. Not to mention the price of domain names has gone up ten-fold.

And I just found out that the nice folks at PayPal disabled all my Support buttons, and I never got a notice (although that may be my fault.) In any case, it is all working again now, so if you would like to make a small donation to help defray these costs, it would be greatly appreciated.

Mar 29, 2017

image
image
image
image
image
image

Jul 31, 2017

image

I finally got another Audiovox together. This one is a twin to the guitar.

Specs:

  • mini humbuckers wired in parallel, roughly Ric positions
    Jazz bass stacked control
    Fender standard short-scale neck: maple, 30.3", Strat heel, brass nut
    solid poplar body, stained, poly finish ( pores can't breath at all )
    roundwound nickel strings, from odds & ends
  • sounds like a humbucker bass with roundwound strings

plays nice, needed very little adjusting, not even intonation

image

Aug 11, 2017

I've let it settle for 10 days, so now I can start doing some fine tuning: nut, truss rod, action, fret leveling, intonation, etc. It's getting better and better. Here's a shot of the back. Can you believe that's poplar?

image

As you can see, the neck is slightly offset, and access to the high frets is quite good. Also, generous round-overs and tummy cut. I actually began the design with a body tracing of a Stratocaster.

 1 2 3  

Comments on Audiovox Solid-Body Bass

Questions or Inquiries?

Just want to say Hello? Sign the .

Submit a Comment

Your email address will not be published. Required fields are marked *


Click image to replace if unable to read.

Enter the digits from the image above, except for the last one:

This site uses Akismet to reduce spam. Learn how your comment data is processed.


image

Spraying with a compressor is so much better than the choking clouds of toxic gas that come out of a rattle can. I only use those for small parts and necks. I really recommend you invest in a good quiet compressor like mine, and a couple of inexpensive spray guns. For fine work, like bursts, I use an airbrush. I am lucky and get all of this stuff for free, thanks to Home Depot. Even the poly I am using right now.

Printed from luthierylabs.com