This one was a testbed for the Radiata glue-up body construction. I had lots of Strat hardware lying around from all the bass projects, so I decided to use some of it. As usual for my guitars, this has a fixed steel truss rod. This is the last of my Audiovoxes, and probably my favorite.
The body was traced directly off the guitar, finished in very dark brown poly with tan Tolex. The neck is a reissue that has lain around for years. The bridge was originally left-handed, a few minutes with a file and it was right-handed. The double lipstick is switchable series/parallel/single-coil, for some variety. This is my first dry-erase pickguard.
I was so pleased with the bass that I thought I'd try a guitar. This is a little more complicated, as there are six tuners rather than four, but it worked out well. The battery is for an Artec tone control that I wanted to try. More later ...
This one went through a long and torturous build process over almost two years. All I can say is don't believe the "advice" you find on talk_ass. However, in the end, it turned out to be a pretty nice instrument.
This one is kind of a joke and an experiment in just how cheap you can build a guitar. The body is dry-erase board over plywood - no finish - with Tolex side binding. Dry-erase board is Masonite covered with Melamine. The neck is 100% Radiata pine, even the fretboard. The "inlays" are glitter and CA glue. The pickguard is the other side of the dry-erase board - 'chalkboard'. The pickup mount is a 57 cent switch plate.
The SG, or 'Spanish Guitar', is without a doubt Gibson's best solid-body guitar design. Unlike the massive overweight Les Paul, the SG is small and light and just feels like fun in your hands. Sound-wise, the two are indistinguishable. The SG body has comfortable bevels and round-overs in place of the Les Paul's arm-gouging sharp bound edges. And the little devil horns are unmistakable.
I took this 'Bird down from it's usual place up on the wall to take some measurements, and I noticed that it had grown fangs along the ( otherwise excellent Mighty-Mite ) neck that were not there before. Sharp fret ends is something I see people piss and moan about all the time. It is going to happen. It's not that the frets weren't dressed properly at the factory, the problem is that most guitars are made in warm humid places like China, Mexico, Indonesia, and Tennessee in the summer. Wood swells with moisture. When they are brought to the USA and placed in a dry heated winter house, the wood dries and shrinks a tiny bit, and the fret ends protrude. Everything about fretwork is a matter of thousandths of an inch, even the tiniest discrepancies are obvious. So this is not a defect, it is something that is simply going to happen, and it is easy to fix.