Cherry Fenderbird ~ Luthiery Laboratories

Cherry Fenderbird

For those of you who thought my Stratocaster bass was an abomination, feast your eyes on this. The MusicmanBird. ThunderJazzRay. FenderManBird. I just call it FenderBird #2.

Specs:

Body: Thunderbird, cherry, Danish oil finish - someone's abandoned project from eBay
Neck: Mighty Mite Jazz bass, 34" maple
Logos: inkjet-printed waterslide decals under satin lacquer - hobby shop
Tuners, neck plate, misc hardware: GFS
Pickup: MusicMan-style, alnico, 2.5k/coil, 4-wire - Guitar Jones ?
Bridge: MusicMan-style cheap Chinese knockoff, top-strung - eBay
Pickguards & control cover: scrap material from old project
Fasteners: bright stainless steel - marine supplies store
Knobs: Precision bass dome style, Rickenbacker layout - parts box
Electronics: Guitar Fuel SBK-2 active bass & treble + 4-way pickup switch & dead-battery passive switch
Strings: d'Addario 50-105 roundwound

As oriented in the picture, the controls are:

North: volume, pull for passive output (dead battery)
East: bass 12db boost/cut, center detent
South: treble 12db boost/cut, center detent
West: pickup mode, 4-way rotary switch

Basses, Body - Bought, Body - Solid, Electronics - Active, Gibson, Long-Scale Basses, Neck - Bought, Projects,

Gibson Projects

Gibson Fenderbird Bass 1

Gibson Fenderbird Bass 2

Gibson Reverse Fenderbird Bass

Samick SG450 Guitar

The "Fenderbird" is a mash-up of a Gibson Thunderbird body and a Fender neck. You'd expect such a thing to be a mutt, but this mutt comes with a great pedigree - invented by no less than John Entwistle of The Who.

More: Gibson Projects ...

Long-Scale Basses

Basses built with the standard scale length of 34 inches.

Long-Scale Basses

More: Long-Scale Basses ...

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Ridgid Belt/Spindle Sander

The belt attachment is what makes it far superior to an ordinary spindle sander. Belts have a far greater working area than the small cylinders most spindle sanders have. They last longer and are cheaper to replace, and are available in a wider variety of grits. The #36 belt is ideal for removing material to make a rough shape, then clean up with a #80. The big end of the belt drive is a 2-1/2" diameter, which turns out to be by far the most useful part of the machine, and exactly matches many of the curves on a Fender neck. Of course, there are smaller spindles all the way down to 1/2" for tight spots. The flat on the belt will cut reasonably straight for small parts that fit entirely in it, but anything that overhangs the ends is going to be gouged by the rollers unless you are very careful - light touch and always moving the workpiece. It's good exercise.

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