Doing Things Wrong

Neck - Bought (4/4)

I'm not averse to using a bought neck for a project. Generally, I will not build a neck that I could buy instead and modify to suit my project. There are many good sources for necks online.

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Around the time that Evets was putting out their first round of Danelectro reissues in the late '90s, several disaffected Gibson employees started their own company, and put out two models - 'Mona' and 'Lisa'. The Mona is a copy of the Danelectro 1457 from the 1960s. It is a mix of old and new. The body is classic masonite over a hollow core, but lacks the Tolex edge binding of the original. While it has the speckles of the original, the finish is modern polyurethane. The pickups are true lipsticks, wired in series, but the pickguard is bevel-edged plastic, and the bridge is basically a Fender. The headstock is the right shape, but bent down to lessen the awkward string angles.


Neck - Bought

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The subject of capacitors in guitars is rife with fraud and nonsense. The fact is, the capacitor is not IN the signal path, it is very much OUT of it, and only has any effect when you select it, which is probably pretty seldom. The capacitor is part of a low-pass ( or rarely high-pass ) filter, basically a frequency-dependent leak to ground. It is not making 'tone', it is taking it away. The type of capacitor that you use for this really doesn't matter at all, as long as you don't use a polarized one the wrong way. Orange Drop, oil-in-paper, film, ceramic -- makes no difference. Anyone who claims it does either has a very vivid imagination or is trying to sell you something.

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