Battery-powered tone controls, buffers, and effects.
This is the biggest of the Audiovoxes, weighing in at a full 12 pounds, with a 36" scale. The neck is a Brazilian Cherry (Jatoba) floorboard over maple, with a straight cutout headstock. There are over 100 marker dots. The body is veneered masonite over solid plywood, with Danelectro-style Tolex binding. There are also strap buttons, this instrument can be played vertically or horizontally.
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This bass is a 21" scale, with a piezo saddle mounted in an adjustable bridge. The soundhole is just for looks. The strings are metal-wound Kalas. The fretboard is cut out of the ugliest piece of wood I ever received. For such a small neck, I managed to cut around most of the ugly, and the result isn't half bad.
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For those of you who thought my Stratocaster bass was an abomination, feast your eyes on this. The MusicmanBird. ThunderJazzRay. FenderManBird. I just call it FenderBird #2.
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This started out as a broken Epiphone, one of the very nice Pro models. Turns out the Epi copy was a bit too authentic - it even reproduced the standard Gibson pop-off headstock. I removed the neck, re-finished the stump, routed out a neck pocket, and installed a Fender Mexico Precision neck. The pickups are stock, the active electronics are a replacement as the originals blew up. I also made the pickguard. The high frets are basically inaccessible, but the trade-off is much better balance.
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This started as a Squier Jaguar body with a Mighty Mite neck. Stock pickups ( which are pretty decent ) with cream-colored covers and upgraded electronics. I used a MusicMan bridge to evoke the round Jazzmaster tailpiece, and likewise cream Strat knobs. I think it is a vast improvement over the Jaguar it started out as. The Cowbell inherited some of the Jaguar electronics.
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This started as a stock Squier Jaguar bass body. This 32" conversion neck was my first bass neck build. Stock pickups ( which are pretty decent ) with cream-colored covers and upgraded electronics. I used a MusicMan bridge to evoke the round Jazzmaster tailpiece, and likewise cream Strat knobs. I think it is a vast improvement over the Jaguar it started out as. The Cowbell inherited some of the Jaguar electronics.
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Hollow plywood body with Mighty Mite 34" neck. Graphtech Ghost piezo saddles with a backup soundhole-mounted magnetic pickup, active electronics.
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This OLP Stingray was one of the first basses I ever modded heavily. I routed a battery and a second pickup cavity, and did all sorts of experiments on it, before returning it to it's original single-pickup configuration, but with upgraded active electronics and pickup, and a nice new pearl pickguard.
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The simplest kind of switch is ON-OFF. This has two terminals, and simply interrupts the electrical path. Such a switch is referred to an SPST, or "single-pole single-throw", because it switches one circuit or "pole" in one way, or "throw". More complex switches are simply combinations of this basic element.
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