Doing Things Wrong

Construction (5/5)

Projects sorted by construction style.

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This is the big brother to the Silvertone 1448, vintage 1964-67. Construction is basically the same, but with a full-scale neck, two pickups, and a much better amp. For a lot of details, see the 1448 page. This guitar is in excellent condition for being almost sixty years old, and apart from cleaning and re-stringing, it needed nothing.


This is a Harmony-made Sears Silvertone 1478. This body style was originally called the "Silhouette", and Harmony sold similar models under their own name. Later it became known as the "Bobkat". I can't find a serial number anywhere, and I'm not taking it apart to look for one, so I don't know the exact age of this guitar.


This started as a vintage neck that I got on eBay. I built a reproduction body and hunted-down old-style parts to rebuild this as authentically as possible. The finish is black nitro, which is accumulating nitro damage just from existing. Someday I should strip that garbage off and re-shoot it in polyurethane.


This is my attempt to recreate my very first bass, a "Montaya", as well as one of my first ventures into 'modding'. These SX's are great instruments. For 109 bucks you get an alder body with a beautiful 3-tone sunburst, a decent neck, functional bridge & tuners, and a flawless finish. What you don't get is any kind of useable pickups or strings. On this one, I installed a USA Fender pickup, my favorite d'Addario strings, and gave it a careful fret dressing and setup. I also added the tortoise pickguard, rosewood thumbrest, and ashtray for the looks only. At the time, I was going purely from memory, but I later found a picture of the original, and I got it dead right.



Around the time that Evets was putting out their first round of Danelectro reissues in the late '90s, several disaffected Gibson employees started their own company, and put out two models - 'Mona' and 'Lisa'. The Mona is a copy of the Danelectro 1457 from the 1960s. It is a mix of old and new. The body is classic masonite over a hollow core, but lacks the Tolex edge binding of the original. While it has the speckles of the original, the finish is modern polyurethane. The pickups are true lipsticks, wired in series, but the pickguard is bevel-edged plastic, and the bridge is basically a Fender. The headstock is the right shape, but bent down to lessen the awkward string angles.


Construction

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Here is a terrific little saw handle that takes Sawzall blades. It comes with an array of blades, including the dangerously sharp flush-cut and rather dodgy drywall blades, and a few others that I've long since used up, but it will fit any Sawzall blade. But what really makes this thing great is when I started making my own blades - all the small ones along the right. I cut these from much larger Sawzall blades that I bought, using an angle grinder, and shaping them on the bench grinder. Sawzall blades all cut on the pull stroke, but as you can see, two of these blades cut on the push stroke, because I cut them reversed from the parent blade. The tangs are easy to make. Push blades are good for cutting through finished or laminated surfaces. These little blades give me a hand-held jigsaw, very useful for many loothery tasks. This saw is a Craftsman, so you better hustle on down to your local Sears and get one before it closes. Mine is on the death list. StewMac should pick up this idea.