Instruments with a predominantly solid wood body.
I was so pleased with the bass that I thought I'd try a guitar. This is a little more complicated, as there are six tuners rather than four, but it worked out well. The battery is for an Artec tone control that I wanted to try. More later ...
More: Kubicki Factor Guitar ...
This one went through a long and torturous build process over almost two years. All I can say is don't believe the "advice" you find on talk_ass. However, in the end, it turned out to be a pretty nice instrument.
More: Mosrite Bass ...
This OLP Stingray was one of the first basses I ever modded heavily. I routed a battery and a second pickup cavity, and did all sorts of experiments on it, before returning it to it's original single-pickup configuration, but with upgraded active electronics and pickup, and a nice new pearl pickguard.
More: Musicman Stingray Bass (OLP) ...
This beautiful instrument was built from a teak cutting board that I got for free from Home Depot for review. 32" Eden neck, active electronics. Teak is hard enough for a simple oiled finish. This one was built with a minimum of tools, mostly by hand, to show that it can be done and how.
More: Osprey Bass (BC Rich Eagle) ...
Solid poplar body, lightly stained and finished in polyurethane. Korean Squire neck, active electronics. Is it a reverse, or a non-reverse? Since this is a reverse of the original Thunderbird body ( more-or-less ) I say it is a reverse. If this is a non-reverse, then the original would have to be the reverse. Reverse of what? Makes no sense.
More: Reverse Fenderbird ...
The SG, or 'Spanish Guitar', is without a doubt Gibson's best solid-body guitar design. Unlike the massive overweight Les Paul, the SG is small and light and just feels like fun in your hands. Sound-wise, the two are indistinguishable. The SG body has comfortable bevels and round-overs in place of the Les Paul's arm-gouging sharp bound edges. And the little devil horns are unmistakable.
More: Samick Artist Series SG450 ...
This is a project that took a long time, mainly due to the lacquer sunburst, which took several tries to get right. In the end, I even 'bursted the back of the neck. While it looks like an old Silvertone, it is actually thoroughly modern inside. 90's Danelectro lipstick pickups - the good ones, wired in series with a selector switch like they should be.
More: Silvertone 1443 Bass ...
The Silvertone 1450 is a relatively rare model from 1965 to 1967. It is identical to the much more common 1452 "Amp-in-Case" model, except that the 1450 has a three-ply tortoiseshell pickguard in place of 1452's white masonite, and the 1450 did not come with an amp. The three-bolt neck attachment indicates that this is a fairly early example. There should be a date stamp inside the neck pocket, but I don't want to take it apart. For a long time I thought this was a 1452, I was quite pleased to discover while writing this that it is actually the more deluxe 1450.
More: Silvertone 1450 Guitar ...
This is a Harmony-made Sears Silvertone 1478. This body style was originally called the "Silhouette", and Harmony sold similar models under their own name. Later it became known as the "Bobkat". I can't find a serial number anywhere, and I'm not taking it apart to look for one, so I don't know the exact age of this guitar.
More: Silvertone 1478 Guitar ...
This is my attempt to recreate my very first bass, a "Montaya", as well as one of my first ventures into 'modding'. These SX's are great instruments. For 109 bucks you get an alder body with a beautiful 3-tone sunburst, a decent neck, functional bridge & tuners, and a flawless finish. What you don't get is any kind of useable pickups or strings. On this one, I installed a USA Fender pickup, my favorite d'Addario strings, and gave it a careful fret dressing and setup. I also added the tortoise pickguard, rosewood thumbrest, and ashtray for the looks only. At the time, I was going purely from memory, but I later found a picture of the original, and I got it dead right.
More: SX SPB-57 Ursa Bass ...
One of the fun things about building electric guitars is wiring them up. Factory wiring tends to be simple, minimizing the amount of fussy handwork required. Many manufacturers keep strictly to 'classic' designs, seldom if ever changing anything. These designs are generally simplistic, often crude or even stupid, and sometimes outright flawed. There is no need for you to do this. I don't. Here are some of the things I have done over the years. I don't claim to have invented any of this, although some of these schematics I have never seen anywhere else, and had to derive them myself.
More: Electronics & Wiring ...