Doing Things Wrong

Crushed Oyster Shell

I went to a beach nearby and collected some oyster shells to try out as an inlay material, the same as I have been doing with glitter. I'm looking for something light-colored, but all the white glitters reflect garish pinks and greens.

I carefully crushed a small shell and used the result to make the two inlays above, which are still wet. The one on the left is a finer grit than the one on the right. I was worried that the highly acidic CA might react with the calcium in the shells and just make a fizzy mess, but that did not happen at all. The calcium will probably speed the curing reaction. I hope it doesn't slowly bubble. I'll see in the morning.

There hasn't been a live oyster in these waters in over 100 years, although attempts are being made to re-introduce them. That means this shell is at least that old, and should have exceptional tonal properties. The place where I got these was once famous for its oysters.

There are other shells I could try if this works, although I'd have to go a little further to get them. Crushing enough oyster to do an entire neck would be a fair amount of work. Freshwater mussels would also work. Baking soda will make a pure white inlay, but flaws are inevitable and hard to hide. The shell inlay should hide any flaws very well.


Update:

The oyster shells are kind of plain, no pearl to them. I wonder if that is because they are so old. There are no newer ones around though. I did pick up a couple of other shells, and I really like the one on the left. That is a Ribbed Mussel, also pictured. It has a nice pearlescence that you can even see in the picture. These shells are common as dirt everywhere except where I got the oysters. The only problem is the dark skin, but that can probably be wire-brushed off. The other test is a slipper shell. This was a crappy one, they are often nice and pearly too. When I get a chance, I'll do some more beach-combing. The shell material causes the CA to set up very fast, which is a definite advantage over glitter.

I also ordered a little mortar and pestle, so I can grind the shells better. It would take a lot of shell to do a whole neck. You can buy ground shell on eBay, but it just looks like white sand to me. This is more fun.


The key is the shallow angle between the saddle and the string. A proper guitar bridge has a sharp break between the saddle and the string. This shallow angle causes the classic sitar buzz. This is a very easy part to make from any decently hard wood. A scrap of fretboard blank is ideal. A little experimenting, and you will get it. Then you can convert any guitar into a "sitar".

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