Body - Solid
Instruments with a predominantly solid wood body.
- Kubicki Factor Bass
- Osprey Bass (BC Rich Eagle)
- Audiovox 736 Bass
- Audiovox Solid-Body Bass
- Audiovox Stratocaster-Style Guitar
- Silvertone 1443 Bass
- Jazzmaster Bass 1
- Telecaster Bass
- Musicman Stingray Bass (OLP)
- SX SPB-57 Precision Bass
- Epiphone Fenderbird
- Reverse Fenderbird
- Mosrite Bass
- Stratocaster Uke Bass
- Stratocaster Micro Bass 1
- Stratocaster Bass VI
- Stratocaster 12-String Guitar
- Stratocaster Bass 1
- Audiovox Electric Upright Bass
- Stratocaster Fretless Bass
- Kubicki Factor Guitar
- Stratocaster Bass IV
- Cherry Fenderbird
- Jazzmaster Bass 2
- Audiovox Solid-Body Guitar
- Stratocaster Micro Bass 2
- Stratocaster Bass 2
- Samick Artist Series SG450
- Squier '62 Stratocaster
- Danelectro Dead-On '67 Guitar
- Silvertone 1450 Guitar
- Harmony H617 Bobkat
- Silvertone 1478 Guitar
This beautiful instrument was built from a teak cutting board that I got for free from Home Depot for review. 32" Eden neck, active electronics. Teak is hard enough for a simple oiled finish. This one was built with a minimum of tools, mostly by hand, to show that it can be done and how.
More: Osprey Bass (BC Rich Eagle) ...
This was my first Audiovox project. Below is the original walnut body, fairly true to the original. My goal was to build the closest possible reproduction of the original Tutmarc Audiovox with modern parts. The ergonomics were very bad, much like a Steinberger. The headstock geometry is also not great, you can see how two of the tuners are reversed to make it work. These are expensive Gotoh tuners that are tight enough to work in reverse; I wouldn't try this with Chinese cheapies.
More: Audiovox 736 Bass ...
Together with the guitar, this was the first of my modified Audiovox design to be completed. Solid poplar bodies, stained to look like walnut, with single bindings. Each pickguard used an entire sheet of material; only these two got the pearl treatment, the rest got much less expensive masonite pickguards.
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This one was a testbed for the Radiata glue-up body construction. I had lots of Strat hardware lying around from all the bass projects, so I decided to use some of it. As usual for my guitars, this has a fixed steel truss rod. This is the last of my Audiovoxes, and probably my favorite.
More: Audiovox Stratocaster-Style Guitar ...
This is a project that took a long time, mainly due to the lacquer sunburst, which took several tries to get right. In the end, I even 'bursted the back of the neck. While it looks like an old Silvertone, it is actually thoroughly modern inside. 90's Danelectro lipstick pickups - the good ones, wired in series with a selector switch like they should be.
More: Silvertone 1443 Bass ...
This started as a Squier Jaguar body with a Mighty Mite neck. Stock pickups ( which are pretty decent ) with cream-colored covers and upgraded electronics. I used a MusicMan bridge to evoke the round Jazzmaster tailpiece, and likewise cream Strat knobs. I think it is a vast improvement over the Jaguar it started out as. The Cowbell inherited some of the Jaguar electronics.
More: Jazzmaster Bass 1 ...
This OLP Stingray was one of the first basses I ever modded heavily. I routed a battery and a second pickup cavity, and did all sorts of experiments on it, before returning it to it's original single-pickup configuration, but with upgraded active electronics and pickup, and a nice new pearl pickguard.
More: Musicman Stingray Bass (OLP) ...
This is my attempt to recreate my very first bass, a "Montaya", as well as one of my first ventures into 'modding'. These SX's are great instruments. For 109 bucks you get an alder body with a beautiful 3-tone sunburst, a decent neck, functional bridge & tuners, and a flawless finish. What you don't get is any kind of useable pickups or strings. On this one, I installed a USA Fender pickup, my favorite d'Addario strings, and gave it a careful fret dressing and setup. I also added the tortoise pickguard, rosewood thumbrest, and ashtray for the looks only. At the time, I was going purely from memory, but I later found a picture of the original, and I got it dead right.
More: SX SPB-57 Precision Bass ...
This started out as a broken Epiphone, one of the very nice Pro models. Turns out the Epi copy was a bit too authentic - it even reproduced the standard Gibson pop-off headstock. I removed the neck, re-finished the stump, routed out a neck pocket, and installed a Fender Mexico Precision neck. The pickups are stock, the active electronics are a replacement as the originals blew up. I also made the pickguard. The high frets are basically inaccessible, but the trade-off is much better balance.
More: Epiphone Fenderbird ...
Solid poplar body, lightly stained and finished in polyurethane. Korean Squire neck, active electronics. Is it a reverse, or a non-reverse? Since this is a reverse of the original Thunderbird body ( more-or-less ) I say it is a reverse. If this is a non-reverse, then the original would have to be the reverse. Reverse of what? Makes no sense.
More: Reverse Fenderbird ...
This one went through a long and torturous build process over almost two years. All I can say is don't believe the "advice" you find on talk_ass. However, in the end, it turned out to be a pretty nice instrument.
More: Mosrite Bass ...
21" neck, adjustable bridge with piezo saddle, active electronics. EBay body. Now has metal-wound strings.
More: Stratocaster Uke Bass ...
Eden paddle-head guitar neck converted to bass. Strings are lower four of 5-string set, unwound to fit 25" scale.
More: Stratocaster Micro Bass 1 ...
The Fender Bass VI was a bass for guitarists. It was basically a Jazzmaster body with a 30" short-scale bass neck and six mid-weight strings tuned EADGBE one octave below a guitar, or the same as a bass. The string spacing is such that it can only be played with a pick. You can look up the rest of the details. Danelectro actually invented the Bass VI, they were always willing to try new things while Fender and Gibson were just determined to deepen the rut they were in. Rickenbacker's rut is so deep they can't even see out of it.
More: Stratocaster Bass VI ...
Extended headstock with all tuners interleaved on one side. Strip tuners gave tight spacing, but required very precise drilling. EBay body. Home Depot neck.
More: Stratocaster 12-String Guitar ...
This body was purchased on eBay from a parted-out guitar. Might have been a Squier, I don't remember. It was in pretty good shape, and I gave it a good polishing. The neck is hand-made, one of my first. The back is hand-picked Home Depot maple, the fretboard is pre-slotted rosewood from StewMac, I hadn't yet worked out how to make my own. If you cut the first two frets off a 34" fretboard, you end up with a 30" scale. That's about the limit with a pre-slotted fretboard though, as you start to run out of frets at the other end. The dots are 1/4" pearl from StewMac, expensive. The frets are probably pre-cut Fender.
More: Stratocaster Bass 1 ...
This is the biggest of the Audiovoxes, weighing in at a full 12 pounds, with a 36" scale. The neck is a Brazilian Cherry (Jatoba) floorboard over maple, with a straight cutout headstock. There are over 100 marker dots. The body is veneered masonite over solid plywood, with Danelectro-style Tolex binding. There are also strap buttons, this instrument can be played vertically or horizontally.
More: Audiovox Electric Upright Bass ...
This fretless sounds really cool, and is super-easy to play, as you no longer have to stretch your hand unnaturally just to make ordinary patterns. It is set up with flats I found in the junk box. Can anyone tell me what kind of strings have blue thread leaders? The intonation fell right in, which is surprising considering the bridge was previously set up for 25.5" guitar strings. ( Actually, how important is intonation on a fretless anyway? )
More: Stratocaster Fretless Bass ...
I was so pleased with the bass that I thought I'd try a guitar. This is a little more complicated, as there are six tuners rather than four, but it worked out well. The battery is for an Artec tone control that I wanted to try. More later ...
More: Kubicki Factor Guitar ...
Uses the bottom four strings of a Bass VI set to get a low enough total string tension for the Strat tremolo to work.
More: Stratocaster Bass IV ...
For those of you who thought my Stratocaster bass was an abomination, feast your eyes on this. The MusicmanBird. ThunderJazzRay. FenderManBird. I just call it FenderBird #2.
More: Cherry Fenderbird ...
This started as a stock Squier Jaguar bass body. This 32" conversion neck was my first bass neck build. Stock pickups ( which are pretty decent ) with cream-colored covers and upgraded electronics. I used a MusicMan bridge to evoke the round Jazzmaster tailpiece, and likewise cream Strat knobs. I think it is a vast improvement over the Jaguar it started out as. The Cowbell inherited some of the Jaguar electronics.
More: Jazzmaster Bass 2 ...
This was the first of my modified Audiovox design to be completed. Solid poplar bodies, stained to look like walnut, with single bindings. Each pickguard used an entire sheet of material; only these two got the pearl treatment, the rest got much less expensive masonite pickguards.
More: Audiovox Solid-Body Guitar ...
Originally all red, refinished in black burst. Eden paddle-head guitar neck converted to bass. Strings are lower four of 5-string sets, unwound to fit 25" scale.
More: Stratocaster Micro Bass 2 ...
This Strat bass is another of my early projects, an evolution of the first one. It uses basically the same neck, but mounted in the stock guitar neck pocket. This moves the bridge position adjacent to the old tremolo hole, but the expansive Mustang bridge plate covers it nicely. The pickguard looks stock, but is actually custom-made to cover the six stock bridge screw holes. If you can't get a Mustang bridge ( and you can't any more, ) you could extend the pickguard to cover all the guitar holes, or use a stock pickguard and just make a small bridge-sized cover. Or just leave the tremolo hole and keep your stash in it.
More: Stratocaster Bass 2 ...
The SG, or 'Spanish Guitar', is without a doubt Gibson's best solid-body guitar design. Unlike the massive overweight Les Paul, the SG is small and light and just feels like fun in your hands. Sound-wise, the two are indistinguishable. The SG body has comfortable bevels and round-overs in place of the Les Paul's arm-gouging sharp bound edges. And the little devil horns are unmistakable.
More: Samick Artist Series SG450 ...
This is my reference for guitar setups - a Japanese "E-series" Squier Stratocaster from the early '80s. This was an era when Fender-America was not doing their best work, while the Japanese models were superb.
More: Squier '62 Stratocaster ...
This beauty is Evets' reissue of a 1960s Danelectro Hornet. The solid-body Hornet has the same body outline as the Silvertone 1452, a sort-of cross between a 1457 and a Fender Jazzmaster. But unlike the slab-sided 1452, the body of the Hornet is a continuous curve, front and back, with a completely rounded edge. ( This is as sexy as a guitar gets, but makes it a little slippery on your knee. ) The reissue from Evets has the same contours as the original, and even the same 'lightshow' pickguard. The three-tone sunburst on this one was an exclusive to Guitar Center. I picked this one up as an 'open-box' from their subsidiary Music123 for a song, so to speak. The body was originally slathered in dullcote, which I polished off, resulting in a beautiful shine with just a bit of orange peel that I left.
The Silvertone 1450 is a relatively rare model from 1965 to 1967. It is identical to the much more common 1452 "Amp-in-Case" model, except that the 1450 has a three-ply tortoiseshell pickguard in place of 1452's white masonite, and the 1450 did not come with an amp. The three-bolt neck attachment indicates that this is a fairly early example. There should be a date stamp inside the neck pocket, but I don't want to take it apart. For a long time I thought this was a 1452, I was quite pleased to discover while writing this that it is actually the more deluxe 1450.
More: Silvertone 1450 Guitar ...
This pretty little thing is a Harmony H617 Bobkat. The H-bodied series of guitars, originally known as the Silhouette, began in 1963 and ended in 1973. This one is from 1972 or 1973. Harmony built a number of guitars for Sears under the Silvertone name, at first as a step up from the Danelectros, and ultimately replacing them. See the Silvertone 1478.
More: Harmony H617 Bobkat ...
This is a Harmony-made Sears Silvertone 1478. This body style was originally called the "Silhouette", and Harmony sold similar models under their own name. Later it became known as the "Bobkat". I can't find a serial number anywhere, and I'm not taking it apart to look for one, so I don't know the exact age of this guitar.
More: Silvertone 1478 Guitar ...
