Most of my projects are inspired by classic designs, but with a twist.
These were my first two tries at a 325 bass. Both are plywood over pine hollow-bodies. The one on the left - #1 - used an experimental neck mounting that I didn't like. The one on the right - #2 - suffered a router mishap. I took all the good parts and built the solid-body, and both of these spent years on the scrap heap.
More: Rickenbacker 325 Bass 1 ...
These were my first two tries at a 325 bass. Both are plywood over pine hollow-bodies. The one on the left - #1 - used an experimental neck mounting that I didn't like. The one on the right - #2 - suffered a router mishap. I took all the good parts and built the solid-body, and both of these bodies spent years on the scrap heap.
More: Rickenbacker 325 Bass 2 ...
This was my third go at a 325 bass. The first one was unbalanced with this long neck, and the second suffered a router mishap. Eventually, I salvaged both of those, but first I took all the good parts and did this. Fender-type alder body with 3-tone sunburst, single binding. Surface-mounted pickups, active electronics. Finished entirely in polyurethane.
More: Rickenbacker 325 Bass 3 ...
A faithful reproduction of John Lennon's Rickenbacker, but built as a Danelectro. Masonite over hollow plywood body. Poplar neck. Passive electronics with active distortion on the fifth knob.
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This one is kind of a joke and an experiment in just how cheap you can build a guitar. The body is dry-erase board over plywood - no finish - with Tolex side binding. Dry-erase board is Masonite covered with Melamine. The neck is 100% Radiata pine, even the fretboard. The "inlays" are glitter and CA glue. The pickguard is the other side of the dry-erase board - 'chalkboard'. The pickup mount is a 57 cent switch plate.
More: Rickenbacker 4001 Bass 1 ...
The SG, or 'Spanish Guitar', is without a doubt Gibson's best solid-body guitar design. Unlike the massive overweight Les Paul, the SG is small and light and just feels like fun in your hands. Sound-wise, the two are indistinguishable. The SG body has comfortable bevels and round-overs in place of the Les Paul's arm-gouging sharp bound edges. And the little devil horns are unmistakable.
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This is a project that took a long time, mainly due to the lacquer sunburst, which took several tries to get right. In the end, I even 'bursted the back of the neck. While it looks like an old Silvertone, it is actually thoroughly modern inside. 90's Danelectro lipstick pickups - the good ones, wired in series with a selector switch like they should be.
More: Silvertone 1443 Bass ...
This is another factory guitar, vintage 1960s, made by Danelectro and sold exclusively through Sears. The 1448 was one of the cheapest electric guitars in the Sears catalog, but it came with something special - it's own amplifier built into the hardshell case. There is almost no wear on this guitar, I don't think it was played much.
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The Silvertone 1450 is a relatively rare model from 1965 to 1967. It is identical to the much more common 1452 "Amp-in-Case" model, except that the 1450 has a three-ply tortoiseshell pickguard in place of 1452's white masonite, and the 1450 did not come with an amp. The three-bolt neck attachment indicates that this is a fairly early example. There should be a date stamp inside the neck pocket, but I don't want to take it apart. For a long time I thought this was a 1452, I was quite pleased to discover while writing this that it is actually the more deluxe 1450.
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This is a real Danelectro Silvertone 1452 from the 1960s. When I got it, it was a sad box of parts. Some hillbilly had stripped it, by rubbing it on the sidewalk, I think. The fretboard had delaminated, and the old repair had simply made the problem permanent. I repaired the neck and fixed all the other issues, replaced the lipstick tubes, which had split, and clear-coated the whole thing in modern poly. I was not able to fully repair the neck, there's just not enough wood left, so I don't keep it under tension. The pickguard is stained dark for contrast. I cleaned tarnish off the old metal bits with oven cleaner, and replaced all the corroded fasteners with shiny new stainless ones.
More: Silvertone 1457 "Rescue" Guitar ...
There is a problem with this bridge. At best, the string retention is a balancing act based mostly on good intentions. As I recall now, this is not a Danelectro part, it was made by someone else. The string notches are too small, and a very thick layer of chrome finished the job, they are totally ineffective. This was also a left-handed bridge, so the notches are reversed in size.
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