Doing Things Wrong

Photo Studio

This is a stand you see in a lot of the photos. I cobbled it together from scrap and a dollar's-worth of self-adhesive felt. The neck support is just a padded bolt that adjusts up and down on either side. The stand fits everything from the most bloated Jazz bass body to my smallest Audiovox. It is not a secure stand by any means, just a temporary support for photography. The angle avoids most reflections.

The stand rests on a backdrop I made by tie-dying a drop cloth. At the top, I sewed a pocket for an old shower curtain rod. I never ironed out the wrinkles, I like them. This is all set up on the workbench, with the bright work light above and a couple of extra lights pointed at the ceiling to reduce shadows.

Here is the entire photo 'studio'. The workbench already has a bright overhead light. Next to the stand is a five-dollar photo light - a clamp-on with a daylight LED flood bulb. I have two - the other is illuminating the scene. With the overhead light and two strategically-placed floods, all 'daylight', I have nice even white lighting with no shadows or glare. I generally turn off the rest of the room lights, which can reflect in shiny surfaces.


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To my mind, there are three kinds of "mash-up": functional, constructive, and stylistic.

  • functional mash-up changes the purpose of the base instrument, for example, building a bass on a guitar body. The Uke bass takes this to an extreme.
  • constructive mash-up is building a classic design in a different way, for example, substituting masonite and plywood for rare and expensive "tonewoods" ( most of which are in truth neither rare nor expensive, although you can pay a lot for them if you shop in the right places. )
  • stylistic mash-up consists of taking features from two or more different instruments and jamming them together. For example, horns on a violin body.