Doing Things Wrong

KMise Vintage Phas Pedal

First, I am bound to state that I received this pedal at no cost for review. Having gotten that out of the way …

A phaser is a fairly simple device. It adds a swirling effect to the sound. Most 'classic' phasers have just a single control for the speed or rate of the effect. The only other control on this pedal is a mechanical true-bypass switch. This effect cannot take a battery, you will need a 9v power supply, I recommend a 1Spot. Batteries today are expensive and very poorly made anyway.

Construction is good, with a strong two-piece anodized aluminum casing. All the controls and jacks are supported by the case, not the circuit boards. The only weakness is the plastic shaft of the knob, which could break if abused. That makes this pedal more suited for the studio or bedroom than the road.

When engaged, the pedal gives you the classic phas effect, with no noise or change in volume. There's just not a lot to a phaser. I have one other phas pedal, and the two are quite comparable, this one having a more pronounced effect and greater speed range. For the price, this pedal is a great value - good sound and good construction, small enough to fit anywhere.

Summary: I like this pedal.

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This beauty is Evets' reissue of a 1960s Danelectro Hornet. The solid-body Hornet has the same body outline as the Silvertone 1452, a sort-of cross between a 1457 and a Fender Jazzmaster. But unlike the slab-sided 1452, the body of the Hornet is a continuous curve, front and back, with a completely rounded edge. ( This is as sexy as a guitar gets, but makes it a little slippery on your knee. ) The reissue from Evets has the same contours as the original, and even the same 'lightshow' pickguard. The three-tone sunburst on this one was an exclusive to Guitar Center. I picked this one up as an 'open-box' from their subsidiary Music123 for a song, so to speak. The body was originally slathered in dullcote, which I polished off, resulting in a beautiful shine with just a bit of orange peel that I left.