Body - Hollow (3/3) ~ Luthiery Laboratories

Body - Hollow (3/3)

Instruments with a significant internal air space.

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Silvertone 1457 "Rescue" Guitar

This is a real Danelectro Silvertone 1452 from the 1960s. When I got it, it was a sad box of parts. Some hillbilly had stripped it, by rubbing it on the sidewalk, I think. The fretboard had delaminated, and the old repair had simply made the problem permanent. I repaired the neck and fixed all the other issues, replaced the lipstick tubes, which had split, and clear-coated the whole thing in modern poly. I was not able to fully repair the neck, there's just not enough wood left, so I don't keep it under tension. The pickguard is stained dark for contrast. I cleaned tarnish off the old metal bits with oven cleaner, and replaced all the corroded fasteners with shiny new stainless ones.

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Silvertone 1457 "Super 63" Guitar

This is the very first guitar I ever built, a hot-rodded version of the old Silvertone 1457. This guitar uses every passive wiring trick in the book. Four - count 'em - four lipstick pickups, wired in series. Six-way pickup selector, and two phase switches. The neck is from AllParts, I paid way too much for it. The finish is glittery acrylic lacquer from the auto parts store. The knobs are from Radio Shack - remember them?

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Silvertone 1457 Guitar & Amp

This is the big brother to the Silvertone 1448, vintage 1964-67. Construction is basically the same, but with a full-scale neck, two pickups, and a much better amp. For a lot of details, see the 1448 page. This guitar is in excellent condition for being almost sixty years old, and apart from cleaning and re-stringing, it needed nothing.

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Silvertone U-1 "Dolphin" Guitar

This started as a vintage neck that I got on eBay. I built a reproduction body and hunted-down old-style parts to rebuild this as authentically as possible. The finish is black nitro, which is accumulating nitro damage just from existing. Someday I should strip that garbage off and re-shoot it in polyurethane.

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Telestar Mona

Around the time that Evets was putting out their first round of Danelectro reissues in the late '90s, several disaffected Gibson employees started their own company, and put out two models - 'Mona' and 'Lisa'. The Mona is a copy of the Danelectro 1457 from the 1960s. It is a mix of old and new. The body is classic masonite over a hollow core, but lacks the Tolex edge binding of the original. While it has the speckles of the original, the finish is modern polyurethane. The pickups are true lipsticks, wired in series, but the pickguard is bevel-edged plastic, and the bridge is basically a Fender. The headstock is the right shape, but bent down to lessen the awkward string angles.

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Body - Hollow

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Side Markers

In addition to my alternative marker dots, I'm also looking for 'non-luthier' alternatives to side markers, and here is one. These are bits of 3/32" brass rod, set in a piece of scrap maple as a test. Foot-long lengths of 3/32" and 1/16" rod are available from hobby shops for around a buck; they are used by model builders. I pre-drilled the holes, tapped the rod in like a nail, and cut it off slightly proud. Working the brass is just like dressing fret ends, in fact, you could do it at the same time. I also found some aluminum rods on eBay. At the size of a dot, aluminum should come out looking just like pearl. This is like Danelectro used to do back in the '60s. Steel would be much harder to work, and also prone to corrosion, so I wouldn't use ordinary nails, but small brass ones would work. Always pre-drill hardwoods. I pushed in a dimple with a pointed scribe, then deepened it with a spring punch before drilling. Chuck the drill bit so just a 1/4" protrudes. That will keep it from flexing, which can be a problem at these sizes.

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