Doing Things Wrong

Body - Hollow (3/3)

Instruments with a significant internal air space.

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This is a real Danelectro Silvertone 1452 from the 1960s. When I got it, it was a sad box of parts. Some hillbilly had stripped it, by rubbing it on the sidewalk, I think. The fretboard had delaminated, and the old repair had simply made the problem permanent. I repaired the neck and fixed all the other issues, replaced the lipstick tubes, which had split, and clear-coated the whole thing in modern poly. I was not able to fully repair the neck, there's just not enough wood left, so I don't keep it under tension. The pickguard is stained dark for contrast. I cleaned tarnish off the old metal bits with oven cleaner, and replaced all the corroded fasteners with shiny new stainless ones.


This is the very first guitar I ever built, a hot-rodded version of the old Silvertone 1457. This guitar uses every passive wiring trick in the book. Four - count 'em - four lipstick pickups, wired in series. Six-way pickup selector, and two phase switches. The neck is from AllParts, I paid way too much for it. The finish is glittery acrylic lacquer from the auto parts store. The knobs are from Radio Shack - remember them?


This is the big brother to the Silvertone 1448, vintage 1964-67. Construction is basically the same, but with a full-scale neck, two pickups, and a much better amp. For a lot of details, see the 1448 page. This guitar is in excellent condition for being almost sixty years old, and apart from cleaning and re-stringing, it needed nothing.


This started as a vintage neck that I got on eBay. I built a reproduction body and hunted-down old-style parts to rebuild this as authentically as possible. The finish is black nitro, which is accumulating nitro damage just from existing. Someday I should strip that garbage off and re-shoot it in polyurethane.



Around the time that Evets was putting out their first round of Danelectro reissues in the late '90s, several disaffected Gibson employees started their own company, and put out two models - 'Mona' and 'Lisa'. The Mona is a copy of the Danelectro 1457 from the 1960s. It is a mix of old and new. The body is classic masonite over a hollow core, but lacks the Tolex edge binding of the original. While it has the speckles of the original, the finish is modern polyurethane. The pickups are true lipsticks, wired in series, but the pickguard is bevel-edged plastic, and the bridge is basically a Fender. The headstock is the right shape, but bent down to lessen the awkward string angles.


Body - Hollow

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Audiovox 736 Replica Bass
Audiovox Gibson-style Bass
Audiovox Gibson-style Guitar
Audiovox Strat-style Guitar
Audiovox Danelectro-style Bass
Audiovox 12-string Guitar
Audiovox Mandolin
Audiovox Ukulele Bass
Audiovox Fretless Bass
Audiovox Electric Upright Bass
BC Rich "Osprey" Bass
Brownsville Violin Bass
Cowbell Bass
Danelectro Pro-1 Bass
Danelectro "Super-63" Guitar
Danelectro Silvertone 1457 Rescue Guitar
Danelectro Silvertone 1443 Bass
Danelectro Companion Guitar
Danelectro Longhorn Guitar
Danelectro Silvertone U-1 Guitar
Danelectro '67 Hornet Guitar
Fender Jazzmaster Bass 1
Fender Jazzmaster Bass 2
Fender Jazzmaster Bass 3
Fender Stratocaster Bass 1
Fender Stratocaster Bass 2
Fender Stratocaster Micro Bass 1
Fender Stratocaster Micro Bass 2
Fender Stratocaster Fretless Bass
Fender Stratocaster Bass VI
Fender Stratocaster Bass IV
Fender Stratocaster 12-string Guitar
Fender Stratocaster Uke Bass
Fender Telecaster Bass
SX Precision Bass
Gibson Fenderbird Bass 1
Gibson Fenderbird Bass 2
Gibson Reverse Fenderbird Bass
Kubicki Bass
Mosrite Bass
Schwinn Stingray Bass
Rickenbacker 325 Guitar
Rickenbacker 325 Bass 1
Rickenbacker 325 Bass 2
Rickenbacker 325 Bass 3
Rickenbacker 4001 Bass 1
Samick SG450 Guitar
Danelectro Pro-1 Guitar
Danelectro '63 Guitar
Danelectro Silvertone 1457 Guitar
Harmony H617 Bobkat
Danelectro Silvertone 1450 Guitar
Danelectro Silvertone 1472 Amplifier
Harmony Silvertone 1478

For a while now I've been working on the WordPress plugin that does the slideshows. I had re-written the php back-end from NivoSlider, and then I decided to rewrite the front-end. The front-end is driven by jquery, so it was a good opportunity to get familiar with that. It's actually pretty simple.

Over a few months of tinkering, I added several hundred slide transitions, grouped in families to make things manageable. Eventually, I pretty much exhausted all the things you can do by animating css with jquery. So I turned to inline svg image masks. You can do much more with real graphics than just css, but there is one hitch - svg is poorly supported in Chrome and all its derivatives, including Opera, Edge, and Brave. But if you load this page in Firefox or Safari, it will demonstrate what you can do with svg.

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