Doing Things Wrong

Body - Hollow (3/3)

Instruments with a significant internal air space.

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This is another factory guitar, vintage 1960s, made by Danelectro and sold exclusively through Sears. The 1448 was one of the cheapest electric guitars in the Sears catalog, but it came with something special - it's own amplifier built into the hardshell case. There is almost no wear on this guitar, I don't think it was played much.


This is a real Danelectro Silvertone 1452 from the 1960s. When I got it, it was a sad box of parts. Some hillbilly had stripped it, by rubbing it on the sidewalk, I think. The fretboard had delaminated, and the old repair had simply made the problem permanent. I repaired the neck and fixed all the other issues, replaced the lipstick tubes, which had split, and clear-coated the whole thing in modern poly. I was not able to fully repair the neck, there's just not enough wood left, so I don't keep it under tension. The pickguard is stained dark for contrast. I cleaned tarnish off the old metal bits with oven cleaner, and replaced all the corroded fasteners with shiny new stainless ones.


This is the very first guitar I ever built, a hot-rodded version of the old Silvertone 1457. This guitar uses every passive wiring trick in the book. Four - count 'em - four lipstick pickups, wired in series. Six-way pickup selector, and two phase switches. The neck is from AllParts, I paid way too much for it. The finish is glittery acrylic lacquer from the auto parts store. The knobs are from Radio Shack - remember them?


This is the big brother to the Silvertone 1448, vintage 1964-67. Construction is basically the same, but with a full-scale neck, two pickups, and a much better amp. For a lot of details, see the 1448 page. This guitar is in excellent condition for being almost sixty years old, and apart from cleaning and re-stringing, it needed nothing.


This started as a vintage neck that I got on eBay. I built a reproduction body and hunted-down old-style parts to rebuild this as authentically as possible. The finish is black nitro, which is accumulating nitro damage just from existing. Someday I should strip that garbage off and re-shoot it in polyurethane.



Around the time that Evets was putting out their first round of Danelectro reissues in the late '90s, several disaffected Gibson employees started their own company, and put out two models - 'Mona' and 'Lisa'. The Mona is a copy of the Danelectro 1457 from the 1960s. It is a mix of old and new. The body is classic masonite over a hollow core, but lacks the Tolex edge binding of the original. While it has the speckles of the original, the finish is modern polyurethane. The pickups are true lipsticks, wired in series, but the pickguard is bevel-edged plastic, and the bridge is basically a Fender. The headstock is the right shape, but bent down to lessen the awkward string angles.


Body - Hollow

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Bending steel is not that difficult. You can make a pretty tight bend up to 90 degrees in up to 1/8″ material simply by clamping it in a vise and hammering it over. To go beyond 90 degrees, say 180 degrees for a truss rod, first bend it to 90 degrees, then heat the elbow and finish the bend. Heat the bend point until it glows orange. For smaller (guitar-sized) materials, a common hand-held propane torch should be adequate. After bending, quench the part quick in water, like a blacksmith in a western movie. You can hold a small part under the faucet. That will restore the strength of the material.