Uses the bottom four strings of a Bass VI set to get a low enough total string tension for the Strat tremolo to work.
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Body - Bought (3/3)
I'm not averse to using a bought body for a project. Generally, I will not build a body that I could buy instead and modify to suit my project. There are many good sources for bodies online.
The Fender Bass VI was a bass for guitarists. It was basically a Jazzmaster body with a 30" short-scale bass neck and six mid-weight strings tuned EADGBE one octave below a guitar, or the same as a bass. The string spacing is such that it can only be played with a pick. You can look up the rest of the details. Danelectro actually invented the Bass VI, they were always willing to try new things while Fender and Gibson were just determined to deepen the rut they were in. Rickenbacker's rut is so deep they can't even see out of it.
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This fretless sounds really cool, and is super-easy to play, as you no longer have to stretch your hand unnaturally just to make ordinary patterns. It is set up with flats I found in the junk box. Can anyone tell me what kind of strings have blue thread leaders? The intonation fell right in, which is surprising considering the bridge was previously set up for 25.5" guitar strings. ( Actually, how important is intonation on a fretless anyway? )
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Eden paddle-head guitar neck converted to bass. Strings are lower four of 5-string set, unwound to fit 25" scale.
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Originally all red, refinished in black burst. Eden paddle-head guitar neck converted to bass. Strings are lower four of 5-string sets, unwound to fit 25" scale.
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This is my attempt to recreate my very first bass, a "Montaya", as well as one of my first ventures into 'modding'. These SX's are great instruments. For 109 bucks you get an alder body with a beautiful 3-tone sunburst, a decent neck, functional bridge & tuners, and a flawless finish. What you don't get is any kind of useable pickups or strings. On this one, I installed a USA Fender pickup, my favorite d'Addario strings, and gave it a careful fret dressing and setup. I also added the tortoise pickguard, rosewood thumbrest, and ashtray for the looks only. At the time, I was going purely from memory, but I later found a picture of the original, and I got it dead right.
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Around the time that Evets was putting out their first round of Danelectro reissues in the late '90s, several disaffected Gibson employees started their own company, and put out two models - 'Mona' and 'Lisa'. The Mona is a copy of the Danelectro 1457 from the 1960s. It is a mix of old and new. The body is classic masonite over a hollow core, but lacks the Tolex edge binding of the original. While it has the speckles of the original, the finish is modern polyurethane. The pickups are true lipsticks, wired in series, but the pickguard is bevel-edged plastic, and the bridge is basically a Fender. The headstock is the right shape, but bent down to lessen the awkward string angles.
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First, I am bound to state that I received this pedal at no cost for review. Having gotten that out of the way …
What is a tremolo? As relates to electric guitar, tremolo is a modulation in the volume of the sound. That's all. Back in the way early days, this was an effect that could be implemented very inexpensively using the often-unused half of a pre-amp tube in an amp. This made it a popular feature for amp manufacturers, which in turn led to its use by musicians, especially back when there were basically no other effects.
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