Doing Things Wrong

I Was Wrong About Sade

I always thought of Sade as a very stylish singer, but not necessarily a great one; kind of weak, actually. A model who could sing a bit. I was wrong. Watch these concert videos.

In this one, she cuts loose a little at the end, you can hear what she could do if she wanted to. And she is note-perfect in concert, you might think she is lip-synching the album, but she is not.
Do any of today's pop stars compare? I couldn't tell you, I stopped listening to the radio decades ago. This performance is mesmerizing - no backup dancers, no costumes, no pyrotechnics, no giant props, just a little lighting and fog, a really tight band, style, class, and natural talent. She makes it look effortless.

The thing is, Sade always sounds a little off. But consistent. Maybe she does it deliberately, certainly no one else sounds like Sade. She gets a little raspy down low, but she displays more range here than I've heard on her studio recordings. And not to forget the band, they are tight.

This is what got me started. She is consistently a little flat (in pitch.)
The studio version, just to show how well they nailed in the shows above.
Another studio track ... that extravagant two-note bass line is hypnotic,
almost like Tomorrow Never Knows. Just close your eyes ...
(Don't get technical on me - octaves don't count.)

Sade is a lot more than just a great looking record cover, although, of course, she's that too. Not a model who could sing - Sade is a singer who could model.

I wonder if anyone calls her Helen?


This is the biggest of the Audiovoxes, weighing in at a full 12 pounds, with a 36" scale. The neck is a Brazilian Cherry (Jatoba) floorboard over maple, with a straight cutout headstock. There are over 100 marker dots. The body is veneered masonite over solid plywood, with Danelectro-style Tolex binding. There are also strap buttons, this instrument can be played vertically or horizontally.

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