Doing Things Wrong

Short-Scale Basses (2/2)

Basses built with a short scale length of 30 inches.

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The Fender Bass VI was a bass for guitarists. It was basically a Jazzmaster body with a 30" short-scale bass neck and six mid-weight strings tuned EADGBE one octave below a guitar, or the same as a bass. The string spacing is such that it can only be played with a pick. You can look up the rest of the details. Danelectro actually invented the Bass VI, they were always willing to try new things while Fender and Gibson were just determined to deepen the rut they were in. Rickenbacker's rut is so deep they can't even see out of it.


This fretless sounds really cool, and is super-easy to play, as you no longer have to stretch your hand unnaturally just to make ordinary patterns. It is set up with flats I found in the junk box. Can anyone tell me what kind of strings have blue thread leaders? The intonation fell right in, which is surprising considering the bridge was previously set up for 25.5" guitar strings. ( Actually, how important is intonation on a fretless anyway? )


Short-Scale Basses

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The skunk stripe is the walnut strip down the back of many 'classic' guitar necks. It is an indication of the type of truss rod within: A single steel bar in a curved channel. To create a perpendicular force, a truss rod needs two members: one in tension and one in compression. The skunk stripe rod uses the neck itself as the compression member. This was originated on a guitar neck and then extended to the bass. The problem is, a bass neck is much longer and less stiff than a guitar neck and is under much greater compression. The last thing you want to do is add more compression. Also, using two dissimilar materials for the two members inserts a host of issues, and using steel against wood, that's just hideous. The wonder of the skunk stripe is that most of the time you get away with it, despite how awful the design is. Of course, it is very cheap and easy to manufacture, in a factory setting.

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