Doing Things Wrong

Neck - Built (3/3)

Projects with custom-built necks.

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This one is kind of a joke and an experiment in just how cheap you can build a guitar. The body is dry-erase board over plywood - no finish - with Tolex side binding. Dry-erase board is Masonite covered with Melamine. The neck is 100% Radiata pine, even the fretboard. The "inlays" are glitter and CA glue. The pickguard is the other side of the dry-erase board - 'chalkboard'. The pickup mount is a 57 cent switch plate.


Fender Stratocaster 12-string Guitar
 
 
 
 
 
 

Extended headstock with all tuners interleaved on one side. Strip tuners gave tight spacing, but required very precise drilling. EBay body. Home Depot neck.


This body was purchased on eBay from a parted-out guitar. Might have been a Squier, I don't remember. It was in pretty good shape, and I gave it a good polishing. The neck is hand-made, one of my first. The back is hand-picked Home Depot maple, the fretboard is pre-slotted rosewood from StewMac, I hadn't yet worked out how to make my own. If you cut the first two frets off a 34" fretboard, you end up with a 30" scale. That's about the limit with a pre-slotted fretboard though, as you start to run out of frets at the other end. The dots are 1/4" pearl from StewMac, expensive. The frets are probably pre-cut Fender.


This Strat bass is another of my early projects, an evolution of the first one. It uses basically the same neck, but mounted in the stock guitar neck pocket. This moves the bridge position adjacent to the old tremolo hole, but the expansive Mustang bridge plate covers it nicely. The pickguard looks stock, but is actually custom-made to cover the six stock bridge screw holes. If you can't get a Mustang bridge ( and you can't any more, ) you could extend the pickguard to cover all the guitar holes, or use a stock pickguard and just make a small bridge-sized cover. Or just leave the tremolo hole and keep your stash in it.


Uses the bottom four strings of a Bass VI set to get a low enough total string tension for the Strat tremolo to work.


The Fender Bass VI was a bass for guitarists. It was basically a Jazzmaster body with a 30" short-scale bass neck and six mid-weight strings tuned EADGBE one octave below a guitar, or the same as a bass. The string spacing is such that it can only be played with a pick. You can look up the rest of the details. Danelectro actually invented the Bass VI, they were always willing to try new things while Fender and Gibson were just determined to deepen the rut they were in. Rickenbacker's rut is so deep they can't even see out of it.


This fretless sounds really cool, and is super-easy to play, as you no longer have to stretch your hand unnaturally just to make ordinary patterns. It is set up with flats I found in the junk box. Can anyone tell me what kind of strings have blue thread leaders? The intonation fell right in, which is surprising considering the bridge was previously set up for 25.5" guitar strings. ( Actually, how important is intonation on a fretless anyway? )


Solid ash body, 32" neck, active electronics ( stacked tones. )


Neck - Built

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This is the big brother to the Silvertone 1448, vintage 1964-67. Construction is basically the same, but with a full-scale neck, two pickups, and a much better amp. For a lot of details, see the 1448 page. This guitar is in excellent condition for being almost sixty years old, and apart from cleaning and re-stringing, it needed nothing.