Doing Things Wrong

Making Fret Wire

Most modern fret wire is made from what is called eighteen percent nickel-silver. The term denotes a common alloy used in many commercial and industrial applications where high corrosion resistance is required and excellent cold-working properties are necessary for fabrication.

Eighteen percent nickel-silver is actually a copper alloy, containing eighteen percent nickel and either fifty-five percent copper and twenty-seven percent zinc, or sixty-five percent copper and seventeen percent zinc. Fret wire is made from the latter variety. The alloy contains no silver at all despite the name bestowed by custom. An alloy harder than eighteen percent nickel/silver would yield longer-lasting frets but would quickly wear out the high-speed machinery on which it is formed.

Round wire, typically about .114 inch in diameter, is received by the fret-wire manufacturer in coils weighing up to one hundred fifty pounds. For the largest types of fret wire, the round wire is used full-sized; for smaller types, it is drawn down to smaller diameters. After drawing, there
are four cold-rolling operations, using combinations of male and female rolls to produce the final cross-section.

-- an interesting article I found while cleaning up a hard drive


These are the two main templates I used to build all the Audiovoxen. The image is straight from the camera, simply save it and print it out at the proper scale. The dimensions of the body template are 17" long and 11-1/2" wide. The overall length of the headstock template is 10-7/8". The neck pocket is Fender-standard.

This is my own original design, it is inspired by the old Audiovox, but not copied from it. My original design was an accurate copy, and it didn't work very well. Therefore, nothing needs to be exact if you want to build one of these, there are no official factory specifications.