Doing Things Wrong

Stratocaster 12-String Guitar

Fender Stratocaster 12-string Guitar
 
 
 
 
 
 

Extended headstock with all tuners interleaved on one side. Strip tuners gave tight spacing, but required very precise drilling. EBay body. Home Depot neck.

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I got lazy and just bought a pickguard, since it is totally stock. The tremolo cavity is filled in with wood to take the 12-string bridge screws. A small scrap of black pickguard material covers the tremolo arm. I used a quarter for a template.

The controls are not standard Stratocaster. The bridge tone is a two-way balance pot with a center detent. The normal direction is treble roll-off, the other direction is bass roll-off. This is a good setup, because if you do both at once, you end up with a very strangled sound.

The neck tone control is actually a rotary switch that selects the internal mode for all three pickups simultaneously - series, parallel, or coil-tap. Series and parallel modes are both humbucking, as are the coil-tap combinations. Parallel and coil-tap modes give that nice sixties jangle.

So a very standard-looking Stratocaster control set actually does quite a bit more than a factory Fender. This sort of thing is also very useful on a bass.

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Getting all those holes drilled just right was an awful pain. I built a jig for it, but even that wasn't precise enough. After a few tests, I finally resorted to drilling most of the holes under-sized and then filing them out in the right direction. In the end, it all worked out, but I would never try to do this with strip tuners again. Individual tuners requires much less precision. But I do love the look of the interleaved open-back strip tuners.

The older blind-slotted Rics are famous for being difficult to string-up. The through-slotted Rics are better, but carving a slot through the entire headstock here would have weakened it too much. Instead, the holes go through, and when you line up the tuner posts properly, you can see daylight through them. That should work. The tuners are six-on-a-plate, open gear, to save weight and money. Perfectly functional, and very vintage-looking. Another advantage is that the mounting screws are on the centerline, so the assembly fits on a headstock that is only slightly thicker and longer than normal.

This is Fender's ugly and inelegant solution to the same problem.

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Here are some uses for a balance pot with a center detente. In all of these cases, a 500k pot is assumed, although it is only strictly required for the last one. The first diagram is a typical balance control for two pickups in parallel.

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