I like to experiment with materials, designs, and techniques outside of conventional luthiery to build low-cost, high-quality, fully-functional, and attractive electric guitars and basses. What I am not interested in is doing the same old thing the same old way it has been done for decades.
Projects contains details on all the instruments I have built, and some other related subjects.
Laboratory contains tools, techniques, and designs used in my projects.
Blog - anything else I feel like writing about: carpentry, programming, music, etc
This site is aimed at the home hobbyist, and particularly the first-time builder. So welcome to the lab. See what's on the slab. I hope you find this site interesting and informative.
Navigating This Site
Main navigation is at the rightleft around here somewhere. First there is a "breadcrumb trail" showing where you are, with "up-links". This is followed by a list of child pages, or "down-links". Around that is a list of sibling pages, or "side-links". There is also an overall Site Map, as well as indexes for each major section. Finally, the search box works surprisingly well, or just hit the Random link.
If you are on a small 'mobile' device like a phone or tablet, the main navigation collapses to a button at the upper-right, with the rest at the bottom. The button opens a condensed popup menu. The mysterious unlabeled checkbox in the menu is a 'pin' that holds it open as you navigate between pages. You can force 'mobile' mode on a larger device by making the browser window narrow. In any case, the layout is optimized to make the best use of the available screen space.
This site was assembled from a mass of material I had previously posted on Talk_ass. This is seven years of material - over 200 pages and a gigabyte of images, and ongoing. Just getting it all back up was a huge task.
This is the big brother to the Silvertone 1448, vintage 1964-67. Construction is basically the same, but with a full-scale neck, two pickups, and a much better amp. For a lot of details, see the 1448 page. This guitar is in excellent condition for being almost sixty years old, and apart from cleaning and re-stringing, it needed nothing.
This wound up on the back burner for a while, but I finally got back around to it. The black stripe is 1/16" tape from the roll there, applied to the shiny under-layer. It wasn't that hard to apply, using the screw holes as guides. It's not awfully sticky, but should hold up well sandwiched between the clear pickguard and the body. You can get that tape at Hobby Lobby. I finished the pickup 'routs' with hand files.
This is the biggest of the Audiovoxes, weighing in at a full 12 pounds, with a 36" scale. The neck is a Brazilian Cherry (Jatoba) floorboard over maple, with a straight cutout headstock. There are over 100 marker dots. The body is veneered masonite over solid plywood, with Danelectro-style Tolex binding. There are also strap buttons, this instrument can be played vertically or horizontally.
Multiple guitar pickups can be wired either in parallel or in series. Series gives a fatter sound, parallel gives a thinner sound. Almost all guitars have the pickups wired in parallel. That is why combinations on a single-coil instrument don't really build over the individual pickups. Pickup combinations on a Strat are known as 'quack' for their thin sound.
This is another factory guitar, vintage 1960s, made by Danelectro and sold exclusively through Sears. The 1448 was one of the cheapest electric guitars in the Sears catalog, but it came with something special - it's own amplifier built into the hardshell case. There is almost no wear on this guitar, I don't think it was played much.
Active tone controls offer one thing that no passive control can do - boost. You can get them in one, two, or three bands. The latter can come with mid-frequency controls, which gives you nearly as much tone-shaping as your amplifier. Who doesn't want more of everything?